{"id":624,"date":"2006-04-21T02:06:19","date_gmt":"2006-04-21T06:06:19","guid":{"rendered":"http:\/\/www.artsjournal.com\/riley\/wp\/2006\/04\/dont_stop\/"},"modified":"2006-04-21T02:06:19","modified_gmt":"2006-04-21T06:06:19","slug":"dont_stop","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/riley\/2006\/04\/dont_stop\/","title":{"rendered":"DON&#8217;T STOP"},"content":{"rendered":"<p><B><br \/>\n&#8216;TIL YOU GET ENOUGH<br \/>\n<\/B> <BR><BR><\/p>\n<blockquote><p>\nIn retrospect, the crotch clutch seems at once desperate and abstract. It is as if he were telling us, &#8220;Fine, you need to know I&#8217;m a man, a black man? Here&#8217;s my dick: I&#8217;ll thrust my dick at you! Isn&#8217;t that what a black man&#8217;s supposed to do? But I&#8217;m Michael Jackson, so just look but you can&#8217;t touch.&#8221; It wasn&#8217;t real, it was symbolic. Not a penis but a phallus&#8230;\n<\/p><\/blockquote>\n<p>&#8211;from <a href=\"http:\/\/www.nytimes.com\/2006\/01\/24\/books\/24sout.html?ex=1295758800&#038;en=6f8f752eb0a4e004&#038;ei=5090&#038;partner=rssuserland&#038;emc=rss\" target=\"_blank\">ON MICHAEL JACKSON<\/A>, by <a href=\"http:\/\/topics.nytimes.com\/top\/reference\/timestopics\/people\/j\/margo_jefferson\/\" target=\"_blank\">Margo Jefferson<\/A>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8216;TIL YOU GET ENOUGH In retrospect, the crotch clutch seems at once desperate and abstract. It is as if he were telling us, &#8220;Fine, you need to know I&#8217;m a man, a black man? Here&#8217;s my dick: I&#8217;ll thrust my dick at you! Isn&#8217;t that what a black man&#8217;s supposed to do? But I&#8217;m Michael [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-624","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/624","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/comments?post=624"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/624\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media?parent=624"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/categories?post=624"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/tags?post=624"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}