{"id":612,"date":"2006-01-01T10:06:26","date_gmt":"2006-01-01T15:06:26","guid":{"rendered":"http:\/\/www.artsjournal.com\/riley\/wp\/2006\/01\/the_way_naomi_looks_at_king_ko\/"},"modified":"2006-01-01T10:06:26","modified_gmt":"2006-01-01T15:06:26","slug":"the_way_naomi_looks_at_king_ko","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/riley\/2006\/01\/the_way_naomi_looks_at_king_ko\/","title":{"rendered":"THE WAY NAOMI LOOKS AT KING KONG&#8230;"},"content":{"rendered":"<p>Ken Auletta on <a href=\"http:\/\/greg.org\/archive\/new_yorker_magazine_database.php\" target=\"_blank\">Judy Miller<\/A>? Did you gulp hard after you bumped into &#8220;(A disclosure: My wife, a literary agent, represents both Keller and Miller.)&#8221; So did every other self-respecting journalist. Seth Mnookin&#8217;s piece in <a href=\"http:\/\/www.vanityfair.com\/commentary\/content\/articles\/051226roco02\n\" target=\"_blank\">Vanity Fair<\/A> was superior. <BR><BR><br \/>\nPREDICTION OF THE YEAR: <BR><BR><br \/>\nScooter Libby Gets Pardoned BEFORE his trial.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ken Auletta on Judy Miller? Did you gulp hard after you bumped into &#8220;(A disclosure: My wife, a literary agent, represents both Keller and Miller.)&#8221; So did every other self-respecting journalist. Seth Mnookin&#8217;s piece in Vanity Fair was superior. PREDICTION OF THE YEAR: Scooter Libby Gets Pardoned BEFORE his trial.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-612","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/612","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/comments?post=612"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/612\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media?parent=612"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/categories?post=612"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/tags?post=612"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}