{"id":606,"date":"2005-12-12T01:28:55","date_gmt":"2005-12-12T06:28:55","guid":{"rendered":"http:\/\/www.artsjournal.com\/riley\/wp\/2005\/12\/too_sexy_for_its_font\/"},"modified":"2005-12-12T01:28:55","modified_gmt":"2005-12-12T06:28:55","slug":"too_sexy_for_its_font","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/riley\/2005\/12\/too_sexy_for_its_font\/","title":{"rendered":"TOO SEXY FOR ITS FONT"},"content":{"rendered":"<p><B><br \/>\nAIN&#8217;T NO ONE FOR TO GIVE YOU NO PAIN<br \/>\n<\/B> <BR><BR><br \/>\nFrom the iTunes Celebrity Playlists, this acute remark from the perennially underrated <a href=\"http:\/\/phobos.apple.com\/WebObjects\/MZStore.woa\/wa\/viewMix?id=85845372&#038;s=143441\" target=\"_blank\">Jeff Daniels<\/A>:<br \/>\n<BR><BR><\/p>\n<blockquote><p>\n&#8220;A great example of why Bonnie Raitt is one of the premiere blues guitarists. By the time she&#8217;s done playing this song, every guy in the audience is wishing he were her guitar.&#8221;\n<\/p><\/blockquote>\n<p><BR><br \/>\nAnd you don&#8217;t need me to tell you, that&#8217;s  <a href=\"http:\/\/phobos.apple.com\/WebObjects\/MZStore.woa\/wa\/viewArtist?id=2206299\n\" target=\"_blank\">Chris Smither<\/A> song. Even works in a mention of Steve Goodman, cops to a healthy Freddie King complex, and nods towards Stills (with his mouth shut). And then he goes and spoils it all by saying something stupid like &#8220;Bruce Hornsby.&#8221;<br \/>\n<BR><BR><br \/>\n<B><br \/>\nGROPING FOR A PACK OF MECCAS<br \/>\n<\/B> <BR><BR>Joy Press on<br \/>\n<a href=\"\nhttp:\/\/www.villagevoice.com\/books\/0546,press,69994,10.html\n\" target=\"_blank\">Maureen Dowd<\/A>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>AIN&#8217;T NO ONE FOR TO GIVE YOU NO PAIN From the iTunes Celebrity Playlists, this acute remark from the perennially underrated Jeff Daniels: &#8220;A great example of why Bonnie Raitt is one of the premiere blues guitarists. By the time she&#8217;s done playing this song, every guy in the audience is wishing he were her [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-606","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/606","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/comments?post=606"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/606\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media?parent=606"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/categories?post=606"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/tags?post=606"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}