{"id":602,"date":"2005-12-14T09:53:38","date_gmt":"2005-12-14T14:53:38","guid":{"rendered":"http:\/\/www.artsjournal.com\/riley\/wp\/2005\/12\/skate_a_little_lower_now\/"},"modified":"2005-12-14T09:53:38","modified_gmt":"2005-12-14T14:53:38","slug":"skate_a_little_lower_now","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/riley\/2005\/12\/skate_a_little_lower_now\/","title":{"rendered":"SKATE A LITTLE LOWER NOW"},"content":{"rendered":"<p><B>BOOK OF THE WEEK<\/B><BR><BR><br \/>\nfrom SWEDEN, recently featured at Liverpool&#8217;s Beatles Days, <BR>not nearly obsessive enough&#8230;<br \/>\n<BR><BR><br \/>\n<a href=\"\nhttp:\/\/www.premiumpublishing.com\/all_books\/bfc\/bfc.htm\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/www.premiumpublishing.com\/all_books\/bfc\/bfc_05.jpg\" align=\"left\" alt=\"Beatles Film &#038; TV Chronicle\"><\/A><br \/>\n<BR><br \/>\nTOP TEN PODCASTS<br \/>\n<BR><BR><br \/>\n<a href=\"http:\/\/dinsdalep2.podomatic.com\/\n\" target=\"_blank\">Beatlegs<\/A> John Winn<BR><BR><br \/>\n<a href=\"http:\/\/phobos.apple.com\/WebObjects\/MZStore.woa\/wa\/viewPodcast?id=73329771\n\" target=\"_blank\">KCRW&#8217;s Left, Right and Center<br \/>\n<\/A> <BR><BR><br \/>\n<a href=\"http:\/\/phobos.apple.com\/WebObjects\/MZStore.woa\/wa\/viewPodcast?id=73331688\n\" target=\"_blank\">le show<\/A> Harry Shearer<br \/>\n<BR><BR><br \/>\n<a href=\"http:\/\/www.will.uiuc.edu\/am\/mediamatters\/default.htm\" target=\"_blank\">Media Matters<\/A> from beautiful downtown Champagne Urbana<BR><BR><br \/>\n<a href=\"http:\/\/www.democracynow.org\/\" target=\"_blank\"><br \/>\nDemocracy Now<\/A> Amy Goodman <BR><BR><br \/>\n<a href=\"http:\/\/www.wnyc.org\/shows\/soundcheck\/archive.html\n\" target=\"_blank\">Soundcheck<\/A> John Schaefer <BR><BR><br \/>\n<a href=\"http:\/\/www.onthemedia.org\/\n\" target=\"_blank\">On the Media<\/A><BR><BR><br \/>\n<a href=\"http:\/\/www.wnyc.org\/studio360\/\n\" target=\"_blank\">PRI&#8217;s Studio 360<\/A> Kurt Anderson<BR><BR><br \/>\n<a href=\"\nhttp:\/\/phobos.apple.com\/WebObjects\/MZStore.woa\/wa\/viewPodcast?id=73799805&#038;s=143441\" target=\"_blank\">UC Berkeley<\/A><BR><BR><br \/>\n<a href=\"http:\/\/phobos.apple.com\/WebObjects\/MZStore.woa\/wa\/viewPodcast?id=75638928&#038;s=143441\" target=\"_blank\">Princeton Lectures<\/A><BR><BR><BR><BR><br \/>\n<B>WHAT FRIENDS ARE FOR<\/B>:<BR><BR><br \/>\n<a href=\"\nhttp:\/\/www.break.com\/articles\/siskelebert.html?t=4431\" target=\"_blank\"><br \/>\nDoesn&#8217;t the Blood Rush to His Cheeks?<br \/>\n<\/A><\/p>\n","protected":false},"excerpt":{"rendered":"<p>BOOK OF THE WEEK from SWEDEN, recently featured at Liverpool&#8217;s Beatles Days, not nearly obsessive enough&#8230; TOP TEN PODCASTS Beatlegs John Winn KCRW&#8217;s Left, Right and Center le show Harry Shearer Media Matters from beautiful downtown Champagne Urbana Democracy Now Amy Goodman Soundcheck John Schaefer On the Media PRI&#8217;s Studio 360 Kurt Anderson UC Berkeley [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-602","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/602","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/comments?post=602"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/602\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media?parent=602"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/categories?post=602"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/tags?post=602"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}