{"id":596,"date":"2006-03-01T09:43:35","date_gmt":"2006-03-01T14:43:35","guid":{"rendered":"http:\/\/www.artsjournal.com\/riley\/wp\/2006\/03\/shake_me_up_judy\/"},"modified":"2006-03-01T09:43:35","modified_gmt":"2006-03-01T14:43:35","slug":"shake_me_up_judy","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/riley\/2006\/03\/shake_me_up_judy\/","title":{"rendered":"SHAKE ME UP JUDY!"},"content":{"rendered":"


\nFOG: IT’S WHAT’S FOR BREAKFAST
\n<\/B>


\nIf you missed
\nBleak House
\n<\/A>, watch for repeats or rent, you’ll believe Gillian Anderson as Lady Dedlock, but you’ll get totally lost<\/A> in Anna Maxwell Smith<\/A>‘s Esther.


\nLIKEWISE
\n<\/B>


\nHuffman<\/A> deserves a lot of raves, but the script is inconsistent. Go to see Kevin Zegers<\/A>, who sleeps with the real.
\n(Pink Panther was an unexpected delight, but mostly because our 5-year-old giggled mercilessly throughout. Have zero idea whether that movie was funny at all.)


\n
\nCLICKS CLICKS CLICKS
\n<\/B>


\nLinkology<\/A>

\nDickens<\/A><\/p>\n","protected":false},"excerpt":{"rendered":"

FOG: IT’S WHAT’S FOR BREAKFAST If you missed Bleak House , watch for repeats or rent, you’ll believe Gillian Anderson as Lady Dedlock, but you’ll get totally lost in Anna Maxwell Smith‘s Esther. LIKEWISE Huffman deserves a lot of raves, but the script is inconsistent. Go to see Kevin Zegers, who sleeps with the real. […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-596","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/596","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/comments?post=596"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/596\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media?parent=596"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/categories?post=596"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/tags?post=596"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}