{"id":589,"date":"2006-03-13T12:51:20","date_gmt":"2006-03-13T17:51:20","guid":{"rendered":"http:\/\/www.artsjournal.com\/riley\/wp\/2006\/03\/whos_that_girl\/"},"modified":"2006-03-13T12:51:20","modified_gmt":"2006-03-13T17:51:20","slug":"whos_that_girl","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/riley\/2006\/03\/whos_that_girl\/","title":{"rendered":"WHO&#8217;S THAT GIRL?"},"content":{"rendered":"<p><a href=\"http:\/\/www.rosettastone.com\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www2.rosettastone.com\/images\/shorten\/ind-woman-with-laptop.jpg\" width=\"350\" height=\"200\" align=\"left\" alt=\"\"><\/A>She&#8217;s everywhere, the European laptop blond whose magazine ad smirk sells zillions of language tapes. Why hasn&#8217;t she turned up plugging  milk? Aren&#8217;t copy writers knocking down her agent&#8217;s door? Who does she think she is&#8230; the ad world&#8217;s Eva Cassidy? Doesn&#8217;t she look like she&#8217;s about to stand up and start yelling &#8220;RI-CO-LAAAAH!!!&#8221;?<br \/>\n<BR><BR><br \/>\n<B>YOU CAN&#8217;T HANDLE THE TRUTH!<\/B> Camille Paglia, she&#8217;s so&#8230; plucky. A real NYTimes kinda feminist, isn&#8217;t she? They&#8217;re sitting on the deluge of mail they got on her <a href=\"http:\/\/www.nytimes.com\/2006\/03\/06\/opinion\/06paglia.html?_r=1&#038;oref=slogin\" target=\"_blank\">defense<\/A> of Harvard&#8217;s Lawrence Summers. Does anybody really think she&#8217;d hold the same opinion if he were HER dean?<br \/>\n<BR><BR><\/p>\n","protected":false},"excerpt":{"rendered":"<p>She&#8217;s everywhere, the European laptop blond whose magazine ad smirk sells zillions of language tapes. Why hasn&#8217;t she turned up plugging milk? Aren&#8217;t copy writers knocking down her agent&#8217;s door? Who does she think she is&#8230; the ad world&#8217;s Eva Cassidy? Doesn&#8217;t she look like she&#8217;s about to stand up and start yelling &#8220;RI-CO-LAAAAH!!!&#8221;? YOU [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-589","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/589","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/comments?post=589"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/589\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media?parent=589"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/categories?post=589"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/tags?post=589"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}