{"id":586,"date":"2005-11-14T10:00:49","date_gmt":"2005-11-14T15:00:49","guid":{"rendered":"http:\/\/www.artsjournal.com\/riley\/wp\/2005\/11\/history_accelerates\/"},"modified":"2005-11-14T10:00:49","modified_gmt":"2005-11-14T15:00:49","slug":"history_accelerates","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/riley\/2005\/11\/history_accelerates\/","title":{"rendered":"HISTORY ACCELERATES"},"content":{"rendered":"<p><B><br \/>\nAT THE SPEED OF CHIPS<br \/>\n<\/B><br \/>\n<BR><BR><br \/>\n<a href=\"\nhttp:\/\/www.differnet.com\/\n\" target=\"_blank\"><br \/>\nAndy Hertzfeld<\/A> has launched<br \/>\n<a href=\"\" target=\"_blank\"><br \/>\nFolklore.org<\/A>, an oral history of Apple by the people who built it.<br \/>\n<BR><BR><br \/>\n<B><br \/>\nIF ONLY OIL WERE MUSIC<br \/>\n<\/B> the self-pricing Canadian way&#8230; <BR><BR><br \/>\n<a href=\"\nhttp:\/\/www.sheeba.ca\/store\/index.php?cPath=21&#038;osCsid=5e3v6ajue54sh19cs2au01ocu5\n\" target=\"_blank\"><br \/>\nJane Siberry<\/A>&#8216;s sliding scale.<br \/>\n<BR><BR><br \/>\n<B><br \/>\nSKL THINKS I&#8217;M NUTS<br \/>\n<\/B> but this kind of thing irritates me:  <BR><BR><br \/>\n&#8220;<a href=\"http:\/\/www.theatlantic.com\/doc\/prem\/200511\/raising-fatherless-boys\" target=\"_blank\">Caitlin Flanagan is a staff writer at The New Yorker<\/A>.&#8221; Isn&#8217;t that like ROLLING STONE running a byline that reads &#8220;Chuck Klostersnog is a staff writer at our loftier counterpart SPIN&#8230;&#8221;? Or &#8220;Subbing for Anderson Cooper tonight is Fox News&#8217;s John Gibson&#8230;&#8221; What&#8217;s more embarrassing: that Flanagan got poached, that the Atlantic runs her old stories, or that the New Yorker rarely runs her stuff&#8230;?<\/p>\n","protected":false},"excerpt":{"rendered":"<p>AT THE SPEED OF CHIPS Andy Hertzfeld has launched Folklore.org, an oral history of Apple by the people who built it. IF ONLY OIL WERE MUSIC the self-pricing Canadian way&#8230; Jane Siberry&#8216;s sliding scale. SKL THINKS I&#8217;M NUTS but this kind of thing irritates me: &#8220;Caitlin Flanagan is a staff writer at The New Yorker.&#8221; [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-586","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/586","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/comments?post=586"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/586\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media?parent=586"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/categories?post=586"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/tags?post=586"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}