{"id":585,"date":"2006-01-23T11:22:13","date_gmt":"2006-01-23T16:22:13","guid":{"rendered":"http:\/\/www.artsjournal.com\/riley\/wp\/2006\/01\/housebucket_progeny\/"},"modified":"2006-01-23T11:22:13","modified_gmt":"2006-01-23T16:22:13","slug":"housebucket_progeny","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/riley\/2006\/01\/housebucket_progeny\/","title":{"rendered":"HOUSEBUCKET PROGENY"},"content":{"rendered":"<p><B>REVIEWS OF THE MONTH<\/B><BR><BR><br \/>\nFrom Ed Condran in <a href=\"http:\/\/www.giantmag.com\" target=\"_blank\">Giantmag.com<\/A> (Beckensale issue, page 98):<\/p>\n<blockquote><p>\nPLEDGE THIS! (2005) It&#8217;s the female ANIMAL HOUSE starring Paris Hilton. I&#8217;m the professor of sexology and I&#8217;m obsessed with paris. She did very well considering that she&#8217;s not an actor and not of this planet. I think many lives before this one she was a spider. A very wealthy spider.<br \/>\n<BR><BR><br \/>\nTHE ARISTOCRATS (2005) I never in a million years thought THE ARISTOCRATS would make it like it has. I did the joke as a personal poem to Paul Provenza and Penn Jillette because I thought they were just fooling around. I thought the film would be this little intimate valentinte to somebody sitting around stoned in an editing bay. THE ARISTOCRATS is MARCH OF THE PENGUINS in reverse.<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>REVIEWS OF THE MONTH From Ed Condran in Giantmag.com (Beckensale issue, page 98): PLEDGE THIS! (2005) It&#8217;s the female ANIMAL HOUSE starring Paris Hilton. I&#8217;m the professor of sexology and I&#8217;m obsessed with paris. She did very well considering that she&#8217;s not an actor and not of this planet. I think many lives before this [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-585","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/585","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/comments?post=585"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/585\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media?parent=585"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/categories?post=585"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/tags?post=585"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}