{"id":581,"date":"2005-12-06T09:53:51","date_gmt":"2005-12-06T14:53:51","guid":{"rendered":"http:\/\/www.artsjournal.com\/riley\/wp\/2005\/12\/quagmire_anybody\/"},"modified":"2005-12-06T09:53:51","modified_gmt":"2005-12-06T14:53:51","slug":"quagmire_anybody","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/riley\/2005\/12\/quagmire_anybody\/","title":{"rendered":"&#8220;QUAGMIRE&#8221; ANYBODY?"},"content":{"rendered":"<p><B><br \/>\nNOBODY TOLD ME<br \/>\n<\/B> <BR><BR>Steve Knopper on<br \/>\n<a href=\"http:\/\/www.newsday.com\/entertainment\/nyc-etlennon1204,0,4548495.story\" target=\"_blank\">John Lennon<\/A>, telling my story that a cellist from the Eastman School once told me: <\/p>\n<blockquote><p>&#8220;One guy told me this story: He was on the streets in New York City, a truck pulls off and a band is playing on the back of this flatbed truck. And it&#8217;s John Lennon and his band.&#8221;<\/p><\/blockquote>\n<p> Apparently that Bun E. Carlos stuff is news to a lot of people&#8230;<br \/>\n<BR><BR><br \/>\n<B><br \/>\nTHANKS FOR THE POMEGRANATES<br \/>\n<\/B> <BR><BR>Threepenny Review now has a<br \/>\n<a href=\"http:\/\/www.threepennyreview.com\/readingroom.html\" target=\"_blank\"><br \/>\nReading Room<br \/>\n<\/A> with links to archivals stuff from all stripes.<BR><BR><br \/>\n<B>LEWIS LAPHAM<\/B><BR><BR><br \/>\n<a href=\"\nhttp:\/\/fhwang.net\/blog\/74.html\n\" target=\"_blank\"><br \/>\nLewis<\/A> <a href=\"\nhttp:\/\/www.mhpbooks.com\/wtb2.htm\n\" target=\"_blank\">Lapham?!?!?!?<\/A><\/p>\n","protected":false},"excerpt":{"rendered":"<p>NOBODY TOLD ME Steve Knopper on John Lennon, telling my story that a cellist from the Eastman School once told me: &#8220;One guy told me this story: He was on the streets in New York City, a truck pulls off and a band is playing on the back of this flatbed truck. And it&#8217;s John [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-581","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/581","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/comments?post=581"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/581\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media?parent=581"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/categories?post=581"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/tags?post=581"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}