{"id":578,"date":"2005-11-21T04:52:30","date_gmt":"2005-11-21T09:52:30","guid":{"rendered":"http:\/\/www.artsjournal.com\/riley\/wp\/2005\/11\/what_line_exactly\/"},"modified":"2005-11-21T04:52:30","modified_gmt":"2005-11-21T09:52:30","slug":"what_line_exactly","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/riley\/2005\/11\/what_line_exactly\/","title":{"rendered":"WHAT LINE, EXACTLY?"},"content":{"rendered":"

Naturally, a music biopic with vivid and inspired concert sequences gets waylaid by its overwrought script: “Tortured pill freak redeemed by true love.” There is so much more to Johnny cash than this, but Phoenix can only suggest. In yet another revelatory turn, Witherspoon is a marvel — but is that any reason to turn his first wife into a shrew? Go rent
\nCoal Miner’s Daughter<\/A>. Then pick up Legacy’s
\nCash
\n<\/A> set, hooch posing as digital sound.
\n


\nHARRIET MEIRS<\/B>
\n


\n
\nThe Lost Episodes<\/A>


\n
\nONE MORE RIDE
\n<\/B>


\nAs he was handed a copy of this book<\/A>, Miller told Kerry “You was robbed.” Kerry
\nagreed<\/A>, then issued a public statement denying his agreement.
\nMiller has a blog<\/A>, there’s new here for any news organization with a scintilla of self-respect.


\n
\nWISH I COULD TAKE CREDIT
\n<\/B>


\n
\nChris Brokaw
\n<\/A> on NPR…


\n
\nADDENDUM
\n<\/B>

to
\n
\nlast week<\/A>‘s list, the reason I launched it in the first place, the best-when-he’s-funny Morgan Freeman<\/A>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Naturally, a music biopic with vivid and inspired concert sequences gets waylaid by its overwrought script: “Tortured pill freak redeemed by true love.” There is so much more to Johnny cash than this, but Phoenix can only suggest. In yet another revelatory turn, Witherspoon is a marvel — but is that any reason to turn […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-578","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/578","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/comments?post=578"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/578\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media?parent=578"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/categories?post=578"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/tags?post=578"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}