{"id":566,"date":"2005-08-01T10:01:41","date_gmt":"2005-08-01T14:01:41","guid":{"rendered":"http:\/\/www.artsjournal.com\/riley\/wp\/2005\/08\/chocolate_dallywankers\/"},"modified":"2005-08-01T10:01:41","modified_gmt":"2005-08-01T14:01:41","slug":"chocolate_dallywankers","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/riley\/2005\/08\/chocolate_dallywankers\/","title":{"rendered":"CHOCOLATE DALLYWANKERS"},"content":{"rendered":"

The liberal hand-wringing over Justice O’Connor has been pathetic: her two most important decisions? Bush vs. Gore<\/A>, followed swiftly by her stepping down, giving Bush a big wet sloppy one. Rumor has it her husband is ill; nobody bothered to track this down, or figure out her true motive, which makes it even more obvious: she’s a yahoo dressed up as a centrist. John Roberts is a stealth nominee who will conveniently distract most from Bolton’s recess app’t.


\n
\nRENTAFLICK
\n<\/B>

\n
\nLIFE AQUATIC WITH STEVE ZISSOU<\/A>

\nFew reviewers nailed this charmingly postmodernist homage to boyhood, which contains one of the great climactic post-terrorist attack retorts (inexplicably missing from this<\/A> page): “I’ve never seen a bank stooge stand up for ANYBODY…”
\n


\n
\nWEDDING CRASHERS
\n<\/B>
I thought Rachel McAdams<\/A> an inspired piece of casting in this lumpen rental, which Vaughn steals from Wilson. But all the way through, I thought she was Ashley Williams<\/A>, who deserves a break.<\/p>\n","protected":false},"excerpt":{"rendered":"

The liberal hand-wringing over Justice O’Connor has been pathetic: her two most important decisions? Bush vs. Gore, followed swiftly by her stepping down, giving Bush a big wet sloppy one. Rumor has it her husband is ill; nobody bothered to track this down, or figure out her true motive, which makes it even more obvious: […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-566","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/566","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/comments?post=566"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/566\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media?parent=566"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/categories?post=566"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/tags?post=566"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}