{"id":557,"date":"2005-10-14T09:35:59","date_gmt":"2005-10-14T13:35:59","guid":{"rendered":"http:\/\/www.artsjournal.com\/riley\/wp\/2005\/10\/in_a_land_where_cliches_subsum\/"},"modified":"2005-10-14T09:35:59","modified_gmt":"2005-10-14T13:35:59","slug":"in_a_land_where_cliches_subsum","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/riley\/2005\/10\/in_a_land_where_cliches_subsum\/","title":{"rendered":"IN A LAND WHERE CLICHES SUBSUME GENERALIZATIONS"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/images.amazon.com\/images\/P\/B0008065HY.01._SCLZZZZZZZ_.jpg\" width=\"200\" height=\"200\" align=\"left\" alt=\"Morcheeba\"><B>EVERYBODY LOVES A LOSER<\/B> <BR><BR><br \/>\nMorcheeba, THE ANTIDOTE (Echo)  On this triphop crossover move pitched squarely at the mainstream, the lyrics consistently upstage the music: &#8220;<a href=\"http:\/\/www.morcheeba.co.uk\/\" target=\"_blank\">If you don&#8217;t believe that you owe it to yourself\/You can owe it to me&#8230;<\/A>.&#8221; Which is rare, and almost makes up for the lack of Portishead.<br \/>\n<BR><BR><br \/>\n<B>JUST ENOUGH JURKOWITZ<\/B> <BR><BR><br \/>\n<a href=\"http:\/\/www.bostonphoenix.com\/medialog_2\/\" target=\"_blank\">Mediablog<\/A> by Mark Jurkowitz, who just hopped back over the Phoenix to avoid the massacre at the Globe.<br \/>\n<BR><BR><br \/>\n<B>VID OF THE WEEK<\/B> <BR><BR><br \/>\n<a href=\"http:\/\/www.sonypictures.com\/movies\/memoirsofageisha\/index.html\" target=\"_blank\">Memoirs of a Geisha<\/A>, poised for Oscar nods, has the author making approving sounds. Next: GEISHA! THE MUSICAL<\/p>\n","protected":false},"excerpt":{"rendered":"<p>EVERYBODY LOVES A LOSER Morcheeba, THE ANTIDOTE (Echo) On this triphop crossover move pitched squarely at the mainstream, the lyrics consistently upstage the music: &#8220;If you don&#8217;t believe that you owe it to yourself\/You can owe it to me&#8230;.&#8221; Which is rare, and almost makes up for the lack of Portishead. JUST ENOUGH JURKOWITZ Mediablog [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-557","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/557","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/comments?post=557"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/557\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media?parent=557"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/categories?post=557"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/tags?post=557"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}