{"id":555,"date":"2005-08-31T03:57:39","date_gmt":"2005-08-31T07:57:39","guid":{"rendered":"http:\/\/www.artsjournal.com\/riley\/wp\/2005\/08\/globs_globs_globs\/"},"modified":"2005-08-31T03:57:39","modified_gmt":"2005-08-31T07:57:39","slug":"globs_globs_globs","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/riley\/2005\/08\/globs_globs_globs\/","title":{"rendered":"GLOBS GLOBS GLOBS"},"content":{"rendered":"<p>Can you hear them singing&#8230;? <BR><BR><br \/>\n1. <B><br \/>\nEschaton<br \/>\n<\/B> <BR><BR>Reliable even in the off-<a href=\"http:\/\/atrios.blogspot.com\/\" target=\"_blank\">season<\/A>. First recommended to me by Dan the man (at Disc Diggers).<br \/>\n<BR><BR><br \/>\n2.<br \/>\n<B><br \/>\nTMFTML<br \/>\n<\/B> <BR><BR>Back and b<a href=\"http:\/\/www.popfactor.com\/tmftml\/\" target=\"_blank\">aaaaaaa<\/A>d&#8230;<br \/>\n<BR><BR><br \/>\n3. <B><br \/>\nROCKS OFF<br \/>\n<\/B> <BR><BR>For obvious <a href=\"http:\/\/www.readexiled.com\/blog\/\" target=\"_blank\">reasons<\/A>, and for Ian Stewart.<br \/>\n<BR><BR><br \/>\n4. <B>RUDE PUNDIT<br \/>\n<\/B> <BR><BR>&#8220;Sweet <a href=\"http:\/\/rudepundit.blogspot.com\/\" target=\"_blank\">Foucaultian<\/A> nightmare&#8230;&#8221;<br \/>\n<BR><BR><br \/>\n5. <B>ZOILUS: CARL WILSON ON MUSIC<\/B> <BR><BR><br \/>\nYou second self as <a href=\"http:\/\/www.zoilus.com\/\" target=\"_blank\"><br \/>\ncritic<\/A>, only different.<br \/>\n<BR><BR><br \/>\n<B><br \/>\nBlog day<br \/>\n<\/B> <BR><BR><br \/>\nSinging to <a href=\"http:\/\/blogday.wikispaces.org\/about\" target=\"_blank\">themselves<\/A>? Or Everybody? Or nobody? Can anyone tell? Is there such a thing as TOO MUCH self-consciousness? What happens if\/when a medium is BORN self-conscious? If a tree falls in a postmodern forest, can it hear itself?<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Can you hear them singing&#8230;? 1. Eschaton Reliable even in the off-season. First recommended to me by Dan the man (at Disc Diggers). 2. TMFTML Back and baaaaaaad&#8230; 3. ROCKS OFF For obvious reasons, and for Ian Stewart. 4. RUDE PUNDIT &#8220;Sweet Foucaultian nightmare&#8230;&#8221; 5. ZOILUS: CARL WILSON ON MUSIC You second self as critic, [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-555","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/555","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/comments?post=555"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/555\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media?parent=555"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/categories?post=555"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/tags?post=555"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}