{"id":539,"date":"2005-11-10T09:55:44","date_gmt":"2005-11-10T14:55:44","guid":{"rendered":"http:\/\/www.artsjournal.com\/riley\/wp\/2005\/11\/blues_for_the_moon\/"},"modified":"2005-11-10T09:55:44","modified_gmt":"2005-11-10T14:55:44","slug":"blues_for_the_moon","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/riley\/2005\/11\/blues_for_the_moon\/","title":{"rendered":"BLUES FOR THE MOON"},"content":{"rendered":"<p><B>WEEKLY PLAYLIST<\/B>:<BR><BR><br \/>\nChris Brokaw INCREDIBLE LOVE (<a href=\"http:\/\/www.12xu.net\/\" target=\"_blank\">12XU<\/A>) &#8212; This mostly acoustic yet quietly fierce batch should earn this friend comparisons to any &#8220;alt&#8221; elite you care to mention. Sui generis, oddly tuneful, confidently sung, with understated yet intricate guitar. The ghost of NIck Drake hovers in the background &#8212; if Drake had come up through Come, Consonant, etc. (Free download: &#8220;<a href=\"http:\/\/www.12XU.net\/audio\/chrisbrokaw_move.mp3\" target=\"_blank\">Move<\/A>.&#8221;)<br \/>\n<BR><BR><br \/>\n<B>WORLD ENOUGH AND TIME<\/B>: <BR><BR><br \/>\nNip and Tuck, Lost, The OC &#8212; or are previews such an art form they have long since upstaged their product?<br \/>\n<BR><BR><br \/>\n<B>MIDDLE-AGE MAN<\/B><BR><BR><br \/>\nDo I miss Friends the way some folks used to miss Cheers? (Ouch.)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>WEEKLY PLAYLIST: Chris Brokaw INCREDIBLE LOVE (12XU) &#8212; This mostly acoustic yet quietly fierce batch should earn this friend comparisons to any &#8220;alt&#8221; elite you care to mention. Sui generis, oddly tuneful, confidently sung, with understated yet intricate guitar. The ghost of NIck Drake hovers in the background &#8212; if Drake had come up through [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-539","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/539","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/comments?post=539"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/539\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media?parent=539"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/categories?post=539"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/tags?post=539"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}