{"id":533,"date":"2005-07-02T16:13:17","date_gmt":"2005-07-02T20:13:17","guid":{"rendered":"http:\/\/www.artsjournal.com\/riley\/wp\/2005\/07\/millennium_pop\/"},"modified":"2005-07-02T16:13:17","modified_gmt":"2005-07-02T20:13:17","slug":"millennium_pop","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/riley\/2005\/07\/millennium_pop\/","title":{"rendered":"outside links"},"content":{"rendered":"<p><a href=\"http:\/\/bit.ly\/rileyemerson\">EMERSON COLLEGE<br \/>JOURNALIST IN RESIDENCE 2009-PRESENT<\/a><\/p>\n<p><a href=\"http:\/\/bit.ly\/rileynpr\">NATIONAL PUBLIC RADIO 1987-PRESENT<\/a><\/p>\n<p><a href=\"http:\/\/www.huffingtonpost.com\/tim-riley\">HUFFINGTON POST<\/a>&nbsp;<\/p>\n<p><a href=\"http:\/\/bit.ly\/rileyjfs\">JFS SPEAKERS AGENCY 1990-PRESENT<\/a><\/p>\n<p><a href=\"http:\/\/www.facebook.com\/rileyrockindex\">BIBLIOGRAPHY<br \/>FACEBOOK<\/a><br \/><a href=\"http:\/\/bit.ly\/rileyresume\">FLICKR<br \/>GOOGLE PROFILE<\/a><a href=\"http:\/\/bit.ly\/rileyresume\"><br \/>LINKED IN<br \/>PODCAST RILEY<br \/>RESUME<\/a><br \/><a href=\"http:\/\/triley60.podomatic.com\/\">RILEY ROCK INDEX<\/a> [<a href=\"feed:\/\/feeds.feedburner.com\/RileyRockIndex\">RSS<\/a>]<br \/><a href=\"http:\/\/twitter.com\/triley60\">TWITTER<\/a>\n<\/p>\n<p><!--more--><\/p>\n<p><A href=\"http:\/\/home.comcast.net\/~triley60\/\" target=_blank>millennium pop<\/A><BR><BR>MISSION STATEMENT<BR><BR>Good News for Pop Culture Buffs<BR><BR>Over the last hundred years, American movies, television shows, detective novels, fast-food chains, and musical styles have defined modern life. Yet as we approach the third millennium, thoughtful commentary about the impact of mass culture has hit a new low. Magazines that once published solid pop commentary now offer quick glosses on cultural events that provide little insight to the well-informed observer. Just as the pop catalogue is exploding across 500 cable channels and the mushrooming Internet, pop criticism has faded from the mainstream media. <BR><BR>millennium pop Is Here! <BR><BR>Writer-driven and idea-rich, millennium pop helps industry insiders, discerning readers, and emerging artists of the 21st century track the rapid changes overtaking our shared cultural dream life. It serves as a guide to the technological wonders that will reshape the future, provide sophisticated commentary about both old and new pop art, and help distinguish the revolutionary from the merely recycled. <BR><BR>If you agree that software has more impact on how we think and work and play than hardware,and believe movies, music, and television deserve more serious attention than they&#8217;re getting, check out millennium pop. <BR><BR>millennium pop was launched in August, 1994, and has since developed into a Web-only publication. See for yourself why Wired, Pulse!, the Boston Phoenix and Globe, and Harper&#8217;s magazine have all raved about millennium pop for its thoughtful approach to the popular issues of our day. <BR><BR>millennium pop archive: <BR><BR>* Volume I, Issue 1, Summer 1994 <BR><BR>Chuck Eddy on Rock Sellouts<BR>Sara Laschever on Eddie Murphy<BR>John Domini on Dylan Dog<BR>Charles Taylor on The X-Files<BR>Milo Miles on Johnny Cash <BR>Robin Dougherty on Prime Suspect <BR><BR>* Volume I, Issue 2, Fall 1994 <BR><BR>Joyce Millman on Raising Kids to Rock<BR>Stephanie Zacharek on Chow Yun-Fat<BR>Jimmy Guterman on Nixon&#8217;s CD-ROM <BR>Robin Dougherty on CNN&#8217;s Lynne Russell <BR>Howard Hampton on Art Tatum <BR><BR><BR>* Volume II, Issue 1, Winter 1995 <BR><BR>Leslie Savan on Spirituality in Advertising<BR>Steve Vineberg on Law &#038; Order <BR>Tim Riley on The Beatles Live at the BBC<BR>Robin Dougherty on Movies and Motherhood<BR>Charles Taylor on The Winshaw Legacy<BR>Stephanie Zacharek on Courtney Love and Hole <BR><BR>* Volume II, Issue 2, Spring 1995 <BR><BR>Dan Bischoff on The Internet&#8217;s Effect on News<BR>Steve Vineberg on Orson Welles&#8217; Othello<BR>Karen Steen on Female Cartoon Action Heroes<BR>John Domini on Christian Television<BR>Sarah Wright on Absolutely Fabulous<BR>Milo Miles on the &#8220;Death&#8221; of World Beat <BR>Stephanie Zacharek on Wayne Kramer and Jon Spencer<BR>Sara Laschever on Anne Frank <BR><BR>* Volume II, Issue 3, September 1995 <BR><BR>Charles Taylor on Richard Pryor<BR>Steve Vineberg on Tony Kushner&#8217;s Angels in America <BR>Charles Taylor on Michael Jackson&#8217;s HIStory<BR>Tim Riley on the PBS Rock &#038; Roll series <BR><BR>* Volume II, Issue 4, October 1995 <BR><BR>Sara Laschever on Steven Bochco&#8217;s Murder One and NYPD Blue <BR>Milo Miles on Disney Animation<BR>Stephanie Zacharek on Alex Chilton&#8217;s A Man Called Destruction <BR><BR>Editor Tim Riley is the author of Tell Me Why: A Beatles Commentary (Knopf 1988), Hard Rain: A Dylan Commentary (Knopf, 1992), and Madonna: Illustrated (Hyperion, 1992), and is featured on NPR, Public Radio International, in the The Washington Post and Boston Magazine. millennium pop debuted at the top of the Village Voice Literary Supplement&#8217;s Lit Hit List of new publications for 1994, has been excerpted in Harper&#8217;s (December 1994), and featured in Wired and Pulse! magazines. <BR><BR>Executive Editor Sara Laschever is the co-author of <A href=\"http:\/\/www.womendontask.com\" target=_blank>Women Don&#8217;t Ask: Negotiation and the Gender Divide<\/A> (Princeton, 2003), and has critiqued pop culture for the New York Review of Books, the Village Voice, and the New York Times. <BR><BR>send BACK ISSUE requests with undressed elephants to: <BR>millennium pop<BR>173 Morrison Avenue #1<BR>Somerville, MA 02144-2016 <BR><BR>Email: <A href=\"mailto:triley@artsjournal.com\" target=_blank>triley@artsjournal.com<\/A><\/p>\n","protected":false},"excerpt":{"rendered":"<p>EMERSON COLLEGEJOURNALIST IN RESIDENCE 2009-PRESENT NATIONAL PUBLIC RADIO 1987-PRESENT HUFFINGTON POST&nbsp; JFS SPEAKERS AGENCY 1990-PRESENT BIBLIOGRAPHYFACEBOOKFLICKRGOOGLE PROFILELINKED INPODCAST RILEYRESUMERILEY ROCK INDEX [RSS]TWITTER<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[14],"tags":[],"class_list":{"0":"post-533","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-elsewhere","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/533","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/comments?post=533"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/533\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media?parent=533"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/categories?post=533"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/tags?post=533"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}