{"id":531,"date":"2005-05-02T08:42:40","date_gmt":"2005-05-02T12:42:40","guid":{"rendered":"http:\/\/www.artsjournal.com\/riley\/wp\/2005\/05\/dont_bogart_that_joint_my_frie\/"},"modified":"2005-05-02T08:42:40","modified_gmt":"2005-05-02T12:42:40","slug":"dont_bogart_that_joint_my_frie","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/riley\/2005\/05\/dont_bogart_that_joint_my_frie\/","title":{"rendered":"DON&#8217;T BOGART THAT JOINT, MY FRIEND&#8230;"},"content":{"rendered":"<p>Three lists for <a href=\"http:\/\/snobsite.com\/archives\/2005\/04\/shipwrecked_on_1.php\" target=\"_blank\">Rock Snob&#8217;s Dictionary<\/A>&#8216;s &#8220;real&#8221; and &#8220;snob&#8221; formats, which makes more and more sense as you work on it:<\/p>\n<p>REAL FAVS (changes daily, no particular order)<\/p>\n<p>1.\tBLONDE ON BLONDE + BASEMENT TAPES + BEFORE THE FLOOD + LOVE AND THEFT, Bob Dylan (w\/Band etc)<br \/>\n2.\tLET IT BLEED, Rolling Stones<br \/>\n3.\tBAND OF GYPSIES, Hendrix<br \/>\n4.\tSTAR TIME, James Brown box<br \/>\n5.\tMOONDOG MATINEE, The Band<br \/>\n6.\tPLASTIC ONO BAND, John Lennon<br \/>\n7.\tNEBRASKA, Bruce Springsteen<br \/>\n8.\tJACK JOHNSON, Miles Davis<br \/>\n9.\tTHE COMPLETE BEATLES AT THE BBC (Great Dane), Beatles<br \/>\n10.\tSIGN O&#8217; THE TIMES, Prince<\/p>\n<p>SNOB SUBS (fixed for all eternity)<\/p>\n<p>1.\tTIME OUT OF MIND, Bob Dylan<br \/>\n2.\tSOME GIRLS, Rolling Stones<br \/>\n3.\tTROUT MASK REPLICA, Captain Beefheart<br \/>\n4.\tAIRPORT BACKGROUND HUM, Brian Eno<br \/>\n5.\tLOVELESS (aka MASSIVE ANAL BLEEDING), My Bloody Valentine <br \/>\n6.\tTHE MILLION-DOLLAR QUARTET, Presley, Cash, Perkins, Lewis<br \/>\n7.\tBITCHES BREW, Miles Davis<br \/>\n8.\tIMPERIALIZED BEDROOM MELODRAMAS, Elvis Costello<br \/>\n9.\tBORN IN THE U.S.A., Bruce Springsteen<br \/>\n10.\tSIGN O&#8217; THE TIMES, Prince<\/p>\n<p>FANTASY COVERS [&#8220;Title&#8221; (Original), fantasy version]<br \/><BR><br \/>\n1.\t&#8220;A Man Needs A Maid&#8221; (Neil Young), pj harvey<br \/>\n2.\t&#8220;Our Lips Are Sealed&#8221; (Go-Gos), Sleater-Kinney<br \/>\n3.\t&#8220;Change Partners&#8221; (Steve Stills), Melissa Ethridge<br \/>\n4.\t&#8220;Love For Sale&#8221; (Cole Porter), Marie Osmond<br \/>\n5.\t&#8220;White Wedding&#8221; (Billy Idol), Martha Quinn (early MTV VJ)<br \/>\n6.\t&#8220;Your Pretty Face is Going to Hell&#8221; (Iggy Pop), Britney Spears<br \/>\n7.\t&#8220;The End&#8221; (Doors), John McCain (courtesy <a href=\"http:\/\/www.imdb.com\/name\/nm0806912\/\" target=\"_blank\">Robert Smigel<\/A>)<br \/>\n8.\t&#8220;Baby Got Back&#8221; (Sir Mix-A-Lot), Clay Aiken<br \/>\n9.\t&#8220;Stoney End (Laura Nyro), Chrissie Hynde<br \/>\n10.\t&#8220;These Boots Are Made For Walkin'&#8221; (Nancy Sinatra), Belinda Carlisle<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Three lists for Rock Snob&#8217;s Dictionary&#8216;s &#8220;real&#8221; and &#8220;snob&#8221; formats, which makes more and more sense as you work on it: REAL FAVS (changes daily, no particular order) 1. BLONDE ON BLONDE + BASEMENT TAPES + BEFORE THE FLOOD + LOVE AND THEFT, Bob Dylan (w\/Band etc) 2. LET IT BLEED, Rolling Stones 3. BAND [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-531","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/531","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/comments?post=531"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/531\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media?parent=531"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/categories?post=531"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/tags?post=531"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}