{"id":527,"date":"2005-05-06T10:13:36","date_gmt":"2005-05-06T14:13:36","guid":{"rendered":"http:\/\/www.artsjournal.com\/riley\/wp\/2005\/05\/the_john_kerry_of_rock_bruce_s\/"},"modified":"2005-05-06T10:13:36","modified_gmt":"2005-05-06T14:13:36","slug":"the_john_kerry_of_rock_bruce_s","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/riley\/2005\/05\/the_john_kerry_of_rock_bruce_s\/","title":{"rendered":"THE JOHN KERRY OF ROCK: Bruce Springsteen"},"content":{"rendered":"<p><a href=\"http:\/\/www.sashafrerejones.com\/\" target=\"_blank\">S F\/J<\/A> says it <a href=\"http:\/\/www.newyorker.com\/goingson\/recordings\/?050509gore_GOAT_recordings\" target=\"_blank\">better<\/A> than I&#8217;m inspired to. Ghost of Tom Joad Part DEUX (with a <a href=\"http:\/\/www.billboard.com\/bb\/charts\/bb200.jsp\" target=\"_blank\">bullet<\/A>). NEBRASKA works better as metaphorical Bush critique than the title song. Although, word from <a href=\"http:\/\/www.backstreets.com\/setlists.html\" target=\"_blank\">California<\/A> is that star-studded shows are stunning, including solo piano &#8220;Incident on 57th Street&#8221;\u2026<br \/>\n<BR><BR><br \/>\n<B>2005 LIST (IN PROGRESS)<\/B><br \/>\n<BR><BR><br \/>\nNeko Case, TIGER HAS SPOKEN (Anti-)<BR><br \/>\nPetra Haden, THE WHO SELL OUT (Bar-None)<BR><br \/>\nIvy, IN THE CLEAR (Nettwerk)<BR><br \/>\n<BR><br \/>\nREISSUES<BR><BR><br \/>\nDoug Sahm and the Sir Douglas Quintet, COMPLETE MERCURY RECORDINGS (Hip-O Select), <BR><br \/>\nToots and the Maytals, TOOTS IN MEMPHIS (Hip-O Select)<BR><br \/>\n<BR><br \/>\nSTIFFS<BR><BR><br \/>\nAimee Mann, THE FORGOTTEN ARM (Superego, and how)<BR><br \/>\nBruce Springsteen, DEVILS AND DUST (Sony)<BR><BR><br \/>\nQUEUED<BR><BR><br \/>\nBeck, GUERO (Interscope)<BR><br \/>\nThe Killers, HOT FUSS (Island)<BR><br \/>\nGarbage, BLEED LIKE ME (Almo Sounds\/Geffen)<BR><br \/>\nNew Order, WAITING FOR THE SIRENS&#8217; CALL (Warner Bros.)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>S F\/J says it better than I&#8217;m inspired to. Ghost of Tom Joad Part DEUX (with a bullet). NEBRASKA works better as metaphorical Bush critique than the title song. Although, word from California is that star-studded shows are stunning, including solo piano &#8220;Incident on 57th Street&#8221;\u2026 2005 LIST (IN PROGRESS) Neko Case, TIGER HAS SPOKEN [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-527","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/527","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/comments?post=527"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/527\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media?parent=527"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/categories?post=527"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/tags?post=527"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}