{"id":519,"date":"2005-05-31T11:02:00","date_gmt":"2005-05-31T15:02:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/riley\/wp\/2005\/05\/here_lies_george_lucas\/"},"modified":"2005-05-31T11:02:00","modified_gmt":"2005-05-31T15:02:00","slug":"here_lies_george_lucas","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/riley\/2005\/05\/here_lies_george_lucas\/","title":{"rendered":"HERE LIES GEORGE LUCAS:"},"content":{"rendered":"

The Man Who Stole Ewan McGregor’s Charisma<\/B>


\n… and that makes Jimmy Smits the new… Billy Dee Williams?


\nTWOFER NOT MO BETTER
\n<\/B>


\nAlthough he gets a big piece of it wrong, Tierney’s column last Monday in the TIMES cites SKL’s
\nbook<\/A> on the web page. While we’re linking to Tierney, I can understand why the NYT wants to replace Safire with a convserative voice, but why TWO conservatives voices (ex-urbanist David Brooks?) Doesn’t he already have a swelled head?
\n


\n
\nCLICK. HERE. NOW.
\n<\/B>

Huge list of
\n
\nbootleg<\/A> sites.


\n
\nQUOTE OF THE WEEK<\/B>

Larry McCurtry in the NYTM:
\n
\n<\/A>“What do you get when you clear brush? You get a photograph of yourself with a chain saw and a cowboy hat…”
\n


\nOh, yeah: Skype<\/A> me [triley60].<\/p>\n","protected":false},"excerpt":{"rendered":"

The Man Who Stole Ewan McGregor’s Charisma … and that makes Jimmy Smits the new… Billy Dee Williams? TWOFER NOT MO BETTER Although he gets a big piece of it wrong, Tierney’s column last Monday in the TIMES cites SKL’s book on the web page. While we’re linking to Tierney, I can understand why the […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-519","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/519","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/comments?post=519"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/519\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media?parent=519"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/categories?post=519"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/tags?post=519"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}