{"id":518,"date":"2005-05-25T03:46:31","date_gmt":"2005-05-25T07:46:31","guid":{"rendered":"http:\/\/www.artsjournal.com\/riley\/wp\/2005\/05\/gimme_some_truth\/"},"modified":"2005-05-25T03:46:31","modified_gmt":"2005-05-25T07:46:31","slug":"gimme_some_truth","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/riley\/2005\/05\/gimme_some_truth\/","title":{"rendered":"GIMME SOME TRUTH"},"content":{"rendered":"<p><a href=\"http:\/\/www.julieleung.com\/archives\/001893.html\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/www.julieleung.com\/archives\/bumperstickertelltruth.jpg\" align=\"center\" alt=\"GIMME SOME TRUTH\"><\/A><br \/>\n<BR><BR><br \/>\n<B><br \/>\nLINGWEENIES ARE THE NEW PANSY HAWKS<br \/>\n<\/B> <BR><BR>Merriam-Webster&#8217;s Top Ten<br \/>\n<a href=\"http:\/\/www.merriam-webster.com\/info\/favorite.htm\" target=\"_blank\">Faux Words<br \/>\n<\/A><br \/>\n<BR><BR><br \/>\n<B><br \/>\nGOOD FIT<br \/>\n<\/B> <BR><BR><br \/>\nRichard Linklater signs to produce <a href=\"http:\/\/www.cinematical.com\/2005\/05\/02\/fast-food-nation-the-movie\/\" target=\"_blank\">Fast Food Nation<\/A>&#8230;<br \/>\n<BR><BR><\/p>\n","protected":false},"excerpt":{"rendered":"<p>LINGWEENIES ARE THE NEW PANSY HAWKS Merriam-Webster&#8217;s Top Ten Faux Words GOOD FIT Richard Linklater signs to produce Fast Food Nation&#8230;<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-518","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/518","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/comments?post=518"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/518\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media?parent=518"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/categories?post=518"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/tags?post=518"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}