{"id":515,"date":"2005-06-26T09:51:32","date_gmt":"2005-06-26T13:51:32","guid":{"rendered":"http:\/\/www.artsjournal.com\/riley\/wp\/2005\/06\/scots_are_the_new_aussies\/"},"modified":"2005-06-26T09:51:32","modified_gmt":"2005-06-26T13:51:32","slug":"scots_are_the_new_aussies","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/riley\/2005\/06\/scots_are_the_new_aussies\/","title":{"rendered":"SCOTS ARE THE NEW AUSSIES"},"content":{"rendered":"<p>Funny, <a href=\"http:\/\/www.cbs.com\/latenight\/latelate\/\" target=\"_blank\">Craig Ferguson<\/A> said<br \/>\n<a href=\"http:\/\/jameswolcott.com\/archives\/2005\/06\/glenn_reynolds.php\" target=\"_blank\">this<\/A> (&#8220;An armed society is a polite society&#8230;&#8221;) on his show last week and I mistook it for a Scot&#8217;s blandishment on American gun culture. Turns out to be Heinlein?<br \/>\n<BR><BR><br \/>\n<B><br \/>\nGUILTY PLEASURES<br \/>\n<\/B><br \/>\n<img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/image.allmusic.com\/00\/amg\/cov200\/dre800\/e824\/e82488fh4da.jpg\" width=\"200\" height=\"200\" align=\"left\" alt=\"\"><BR><BR><br \/>\n1.\tPaul McCartney MCCARTNEY (1970)<BR><br \/>\n2.\tGraham Nash SONGS FOR BEGINNERS (1971)<BR><br \/>\n3.\tAlice Cooper SCHOOL&#8217;S OUT (1972)<BR><br \/>\n4.\tJames Gang LIVE IN CONCERT (1973)<BR><br \/>\n5.\tHarry Nilsson A TOUCH OF SCHMILSSON IN THE NIGHT (1973)<BR><br \/>\n6.\tElton John CAPTAIN FANTASTIC (1975)<BR><br \/>\n7.\tAmy Grant HEART IN MOTION (1991)<BR><br \/>\n8.\tFrank Sinatra FRANCIS A. &#038; EDWARD K. (1967)<BR><br \/>\n9.\tBadfinger GREATEST HITS<BR><br \/>\n10.\tTodd Rundgren FAITHFUL (1976)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Funny, Craig Ferguson said this (&#8220;An armed society is a polite society&#8230;&#8221;) on his show last week and I mistook it for a Scot&#8217;s blandishment on American gun culture. Turns out to be Heinlein? GUILTY PLEASURES 1. Paul McCartney MCCARTNEY (1970) 2. Graham Nash SONGS FOR BEGINNERS (1971) 3. Alice Cooper SCHOOL&#8217;S OUT (1972) 4. [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-515","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/515","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/comments?post=515"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/515\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media?parent=515"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/categories?post=515"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/tags?post=515"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}