{"id":499,"date":"2005-03-29T03:03:37","date_gmt":"2005-03-29T08:03:37","guid":{"rendered":"http:\/\/www.artsjournal.com\/riley\/wp\/2005\/03\/acting\/"},"modified":"2005-03-29T03:03:37","modified_gmt":"2005-03-29T08:03:37","slug":"acting","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/riley\/2005\/03\/acting\/","title":{"rendered":"ACTING!"},"content":{"rendered":"<p><img decoding=\"async\" src=\"http:\/\/www.hbo.com\/deadwood\/img\/90x94\/characters\/franciswolcott.jpg\" align=\"left\" alt=\"Garret Dillahunt\">We were imprressed with <a href=\"http:\/\/www.imdb.com\/name\/nm0226813\/\" target=\"_blank\">Garret Dillahunt<\/A> when he played Jack MacCall, the dazed dumbfuck who up and shoots Wild Bill. Last week he showed up on ER as Sam&#8217;s Ex Steve Curits (they pulled a Bewitched switcheroo), another dazed df. Suddenly he&#8217;s back as dapper perv Francis Wolcott, and goner <a href=\"http:\/\/www.hbo.com\/deadwood\/episode\/season2\/episode16.shtml\" target=\"_blank\">Crop Ear<\/A> as well, although you wouldn&#8217;t learn that from the <a href=\"http:\/\/www.hbo.com\/deadwood\/\" target=\"_blank\">official web site<\/A>.<br \/>\n<BR><BR><br \/>\n<B><br \/>\n&#8220;GET&#8217;EM OFF ME!&#8221;<br \/>\n<\/B> (from &#8220;Get Your Rocks Off&#8221;)<BR><br \/>\nRobert Levinson&#8217;s<br \/>\n<a href=\"http:\/\/www.discussingdylan.net\/\" target=\"_blank\"><br \/>\nDiscussing Dylan<br \/>\n<\/A><br \/>\nclass at the New School (NYC)<br \/>\n<BR><BR><\/p>\n","protected":false},"excerpt":{"rendered":"<p>We were imprressed with Garret Dillahunt when he played Jack MacCall, the dazed dumbfuck who up and shoots Wild Bill. Last week he showed up on ER as Sam&#8217;s Ex Steve Curits (they pulled a Bewitched switcheroo), another dazed df. Suddenly he&#8217;s back as dapper perv Francis Wolcott, and goner Crop Ear as well, although [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-499","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/499","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/comments?post=499"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/499\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media?parent=499"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/categories?post=499"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/tags?post=499"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}