{"id":498,"date":"2005-04-06T10:37:18","date_gmt":"2005-04-06T14:37:18","guid":{"rendered":"http:\/\/www.artsjournal.com\/riley\/wp\/2005\/04\/take_it_to_the_bridge\/"},"modified":"2005-04-06T10:37:18","modified_gmt":"2005-04-06T14:37:18","slug":"take_it_to_the_bridge","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/riley\/2005\/04\/take_it_to_the_bridge\/","title":{"rendered":"TAKE IT TO THE BRIDGE"},"content":{"rendered":"


\nWORDS ESCAPE ME
\n<\/B>


\nA reader sent this link from Zwecker’s People<\/A>, via CBS2Chicago.com: “Hard-working actor and Glenbrook North alumnus Jeff Cahill will be featured on next Sunday’s “Deadwood” series on HBO — though Jeff’s mom and dad, Josie and Ed Cahill (and Josie’s loyal customers at the George What’s Cooking eatery in Deerfield) are about to see Jeff look “the worst I’ve ever looked,” a crazy, ear-less character named “Crop Ears” on the upcoming episode of the critically-acclaimed show…” Reader continues: “Also got it from Jim Beaver, who plays Ellsworth on Deadwood. He’s in a Yahoo group, and the question of Dillahunt’s multiple roles was raised there.
\nYou’re not the first one who had that idea, believe me. Some people say he played Bummer Dan too. Beaver says nope, just McCall and Wolcott. So far…”
\n


\nGREAT MOMENTS IN RADIO…<\/B>

“Earning your trust and asking your forgiveness, all at the same time…” Musical punch line (listener’s choice?): “China Grove,” Doobie Brothers (WROR-FM, Boston<\/A>, Saturday night). Flip a coin.<\/p>\n","protected":false},"excerpt":{"rendered":"

WORDS ESCAPE ME A reader sent this link from Zwecker’s People, via CBS2Chicago.com: “Hard-working actor and Glenbrook North alumnus Jeff Cahill will be featured on next Sunday’s “Deadwood” series on HBO — though Jeff’s mom and dad, Josie and Ed Cahill (and Josie’s loyal customers at the George What’s Cooking eatery in Deerfield) are about […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-498","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/498","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/comments?post=498"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/498\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media?parent=498"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/categories?post=498"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/tags?post=498"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}