{"id":479,"date":"2005-02-13T02:13:43","date_gmt":"2005-02-13T07:13:43","guid":{"rendered":"http:\/\/www.artsjournal.com\/riley\/wp\/2005\/02\/row_ya_bastards\/"},"modified":"2005-02-13T02:13:43","modified_gmt":"2005-02-13T07:13:43","slug":"row_ya_bastards","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/riley\/2005\/02\/row_ya_bastards\/","title":{"rendered":"ROW ya bastards"},"content":{"rendered":"<p><B>UNDERSTATEMENT OF THE YEAR<\/B><BR><BR>From <a href=\"http:\/\/www.nytimes.com\/2005\/02\/13\/weekinreview\/13lela.html?\" target=\"_blank\">John Leland<\/A> in the NYT: &#8220;If old songs create more profits than new ones, in a business that claims to sell newness as hipness, then the business is at odds with itself&#8230;&#8221;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>UNDERSTATEMENT OF THE YEARFrom John Leland in the NYT: &#8220;If old songs create more profits than new ones, in a business that claims to sell newness as hipness, then the business is at odds with itself&#8230;&#8221;<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-479","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/479","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/comments?post=479"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/479\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media?parent=479"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/categories?post=479"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/tags?post=479"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}