{"id":476,"date":"2005-02-23T05:40:44","date_gmt":"2005-02-23T10:40:44","guid":{"rendered":"http:\/\/www.artsjournal.com\/riley\/wp\/2005\/02\/immaculate_secret\/"},"modified":"2005-02-23T05:40:44","modified_gmt":"2005-02-23T10:40:44","slug":"immaculate_secret","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/riley\/2005\/02\/immaculate_secret\/","title":{"rendered":"IMMACULATE SECRET"},"content":{"rendered":"<p>To pay tribute to Johnny Carson, Rolling Stone reruns its <a href=\"http:\/\/www.rollingstone.com\/news\/story\/_\/id\/6862856\/johnnycarson?pageid=rs.Artistcage&#038;pageregion=triple3\" target=\"_blank\">1979 interview<\/A> by Timothy White. How&#8217;s that for lame? Me, I come out somewhere inbetween Kenneth Tynan&#8217;s New Yorker <a href=\"http:\/\/www.newyorker.com\/archive\/content\/?050124fr_archive03\" target=\"_blank\">profile<\/A> and Harry Shearer&#8217;s <a href=\"http:\/\/play.rbn.com\/foo.ram?url=livecon\/kcrw\/g2demand\/ls\/ls050130le_Show.rm&#038;start=20:19&#038;end=34:57&#038;proto=rtsp\">Credibility Gap<\/A> food fight. Which is to say, Thomson has the last <a href=\"http:\/\/enjoyment.independent.co.uk\/film\/features\/story.jsp?story=606087\" target=\"_blank\">word<\/A>.<BR><BR><br \/>\nAnd here&#8217;s my favorite link on <a href=\"http:\/\/mrsun.us\/2005\/02\/sad-yes-but.html\" target=\"_blank\">you-know-who<\/A>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>To pay tribute to Johnny Carson, Rolling Stone reruns its 1979 interview by Timothy White. How&#8217;s that for lame? Me, I come out somewhere inbetween Kenneth Tynan&#8217;s New Yorker profile and Harry Shearer&#8217;s Credibility Gap food fight. Which is to say, Thomson has the last word. And here&#8217;s my favorite link on you-know-who.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-476","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/476","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/comments?post=476"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/476\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media?parent=476"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/categories?post=476"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/tags?post=476"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}