{"id":445,"date":"2004-10-13T08:30:02","date_gmt":"2004-10-13T12:30:02","guid":{"rendered":"http:\/\/www.artsjournal.com\/riley\/wp\/2004\/10\/so_remote_hes_overexposed_prin\/"},"modified":"2004-10-13T08:30:02","modified_gmt":"2004-10-13T12:30:02","slug":"so_remote_hes_overexposed_prin","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/riley\/2004\/10\/so_remote_hes_overexposed_prin\/","title":{"rendered":"SO REMOTE HE&#8217;S OVEREXPOSED: Prince"},"content":{"rendered":"<p>From Time magazine, we give you, <a href=\"http:\/\/www.time.com\/time\/magazine\/article\/0,9171,1101041018-713234,00.html\" target=\"_blank\">THE WIFE<\/A>:<br \/>\n<BR><\/p>\n<blockquote><p>\n&#8220;We teach little girls that we don&#8217;t like them to be greedy, pushy or overly aggressive,&#8221; says Sara Laschever, co-author of Women Don&#8217;t Ask: Negotiation and the Gender Divide. &#8220;Once adulthood is reached, studies are conclusive that neither men nor other women like women who are too aggressive.&#8221;<\/blockquotes>\n<BR><BR><br \/>\nPLUS: Bob Dylan on NPR&#8217;s <a href=\"http:\/\/www.npr.org\/templates\/story\/story.php?storyId=4080202\" target=\"_blank\">Morning Edition<\/A>, from yesterday. See also: <a href=\"http:\/\/www.rollingstone.com\/news\/story\/_\/id\/6539707\/bobdylan?pageid=rs.Home&#038;pageregion=single2\" target=\"_blank\">Mikal Gilmore<\/A> in RS, <a href=\"http:\/\/www.salon.com\/books\/review\/2004\/10\/08\/dylan\/index.html\" target=\"_blank\">Charles Taylor<\/A> in Salon. On my pile, filing for WBUR next month.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>From Time magazine, we give you, THE WIFE: &#8220;We teach little girls that we don&#8217;t like them to be greedy, pushy or overly aggressive,&#8221; says Sara Laschever, co-author of Women Don&#8217;t Ask: Negotiation and the Gender Divide. &#8220;Once adulthood is reached, studies are conclusive that neither men nor other women like women who are too [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-445","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/445","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/comments?post=445"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/445\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media?parent=445"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/categories?post=445"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/tags?post=445"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}