{"id":425,"date":"2004-06-22T10:09:31","date_gmt":"2004-06-22T14:09:31","guid":{"rendered":"http:\/\/www.artsjournal.com\/riley\/wp\/2004\/06\/out_of_ears_reach_visions_of_s\/"},"modified":"2004-06-22T10:09:31","modified_gmt":"2004-06-22T14:09:31","slug":"out_of_ears_reach_visions_of_s","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/riley\/2004\/06\/out_of_ears_reach_visions_of_s\/","title":{"rendered":"OUT OF EAR&#8217;S REACH: Visions of Spam"},"content":{"rendered":"<p>An ambitious scholarly treatment of Dylan puts his lyrics beneath the microscope.<BR><BR><br \/>\nBy Tim Riley<BR><br \/>\nPosted on Slate, Monday, June 21, 2004<BR><BR><br \/>\n<img decoding=\"async\" src=\"http:\/\/img.slate.msn.com\/media\/1\/123125\/122946\/2094022\/2101437\/040621_Dylan.jpg\" align=\"left\" alt=\"Visions of Sin\">Cherish the cultural moment: Just as Bob Dylan sells his soul for a Victoria&#8217;s Secret Venetian holiday, the academy ushers him into the Great Hall of Poets. With Dylan&#8217;s Visions of Sin, Boston University&#8217;s Christopher Ricks, the eminent Milton and Eliot scholar, delivers his long-awaited Dylan treatise, Visions of Sin. (It was published last year in Britain.) Organizing his thoughts around the traditional seven vices\u2014and virtues\u2014Ricks burrows deep into Dylan&#8217;s lyrics for intriguing comparisons to Keats, Tennyson, and other canon members, with enough gusto and substance to win over any remaining Dylan holdouts. The writing is admiringly learned, the observations insightful and often piquant. Yet the Ricks style is overly pleased with itself, Old School straining to sound New School, and, at 500 pages, an arduous read even for Dylan fanatics&#8230;<BR><BR><br \/>\nClick <a href=\"http:\/\/slate.msn.com\/id\/2102707\/\" target=\"_blank\">here<\/A> for more&#8230;<BR><BR><\/p>\n","protected":false},"excerpt":{"rendered":"<p>An ambitious scholarly treatment of Dylan puts his lyrics beneath the microscope. By Tim Riley Posted on Slate, Monday, June 21, 2004 Cherish the cultural moment: Just as Bob Dylan sells his soul for a Victoria&#8217;s Secret Venetian holiday, the academy ushers him into the Great Hall of Poets. With Dylan&#8217;s Visions of Sin, Boston [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-425","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/425","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/comments?post=425"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/425\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media?parent=425"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/categories?post=425"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/tags?post=425"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}