{"id":422,"date":"2004-08-20T05:21:59","date_gmt":"2004-08-20T09:21:59","guid":{"rendered":"http:\/\/www.artsjournal.com\/riley\/wp\/2004\/08\/ich_bin_ein_concordian_entry_1\/"},"modified":"2004-08-20T05:21:59","modified_gmt":"2004-08-20T09:21:59","slug":"ich_bin_ein_concordian_entry_1","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/riley\/2004\/08\/ich_bin_ein_concordian_entry_1\/","title":{"rendered":"ICH BIN EIN CONCORDIAN: Entry #100"},"content":{"rendered":"<p>Suffering the slings and arrows of cramped housework, camping in the attic WITH TWO KIDS, and trails of LEAD DUST, it&#8217;s been a blog-free week. MEA CRAPPA CULPA. But here&#8217;s what we&#8217;ve been listening to: Toscannini GREATEST CONDUCTOR series, Brahms Fourth; Beastie Boys CHECK YOUR HEAD (organ! melody!); Burrito Supreme (Garth!); Christian Tetzlaff BRAHMS VIOLIN SONATAS; and on 88.1 WMBR, &#8220;Nothing But a Heartache,&#8221; by the <a href=\" http:\/\/www.popmeter.com\/modules.php?name=News&#038;file=article&#038;sid=29 \" target=\"_blank\">Flirtations<\/A>.<br \/>\n<BR><BR><br \/>\nI LOVE THE SOUND OF BREAKING GLASS: Brett Milano fries up<br \/>\n<a href=\" http:\/\/www.bostonphoenix.com\/boston\/music\/top\/documents\/04059583.asp\" target=\"_blank\"><br \/>\nPhish<br \/>\n<\/A> about right, making Rush sound reasonable by comparison. The following week in the same rag, Carly Carioli screeds on Little Steven&#8217;s<br \/>\n<a href=\" http:\/\/www.bostonphoenix.com\/boston\/news_features\/this_just_in\/documents\/04066381.asp\" target=\"_blank\">Underground Garage Fest<\/A>. Most reporters noted note how Bruce introduced Rochester&#8217;s <a href=\" http:\/\/home.att.net\/~c.kings\/ \" target=\"_blank\">Chesterfield Kings<\/A>, but nobody reported on the lineup, what they played, or how other band bowed down to them (and the Lyres) backstage. Special mention: Somerville&#8217;s the Charms.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Suffering the slings and arrows of cramped housework, camping in the attic WITH TWO KIDS, and trails of LEAD DUST, it&#8217;s been a blog-free week. MEA CRAPPA CULPA. But here&#8217;s what we&#8217;ve been listening to: Toscannini GREATEST CONDUCTOR series, Brahms Fourth; Beastie Boys CHECK YOUR HEAD (organ! melody!); Burrito Supreme (Garth!); Christian Tetzlaff BRAHMS VIOLIN [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-422","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/422","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/comments?post=422"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/422\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media?parent=422"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/categories?post=422"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/tags?post=422"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}