{"id":417,"date":"2004-09-09T02:27:21","date_gmt":"2004-09-09T06:27:21","guid":{"rendered":"http:\/\/www.artsjournal.com\/riley\/wp\/2004\/09\/fish_in_a_barrel\/"},"modified":"2004-09-09T02:27:21","modified_gmt":"2004-09-09T06:27:21","slug":"fish_in_a_barrel","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/riley\/2004\/09\/fish_in_a_barrel\/","title":{"rendered":"FISH IN A BARREL"},"content":{"rendered":"<p>Jeff Jacobi (&#8220;<a href=\"http:\/\/www.boston.com\/news\/globe\/editorial_opinion\/oped\/articles\/2004\/09\/09\/where_is_the_muslim_outrage\/\" target=\"_blank\">Where is the Muslim outrage<\/A>?&#8221;), meet the New York Times (&#8220;<a href=\"http:\/\/www.nytimes.com\/2004\/09\/09\/international\/middleeast\/09arabiya.html\" target=\"_blank\">Massacre Draws Self-Criticism in the Muslim Press<\/A>&#8220;).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jeff Jacobi (&#8220;Where is the Muslim outrage?&#8221;), meet the New York Times (&#8220;Massacre Draws Self-Criticism in the Muslim Press&#8220;).<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-417","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/417","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/comments?post=417"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/417\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media?parent=417"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/categories?post=417"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/tags?post=417"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}