{"id":397,"date":"2004-05-21T08:41:19","date_gmt":"2004-05-21T12:41:19","guid":{"rendered":"http:\/\/www.artsjournal.com\/riley\/wp\/2004\/05\/for_a_rotfl_novelist_hes_sure\/"},"modified":"2004-05-21T08:41:19","modified_gmt":"2004-05-21T12:41:19","slug":"for_a_rotfl_novelist_hes_sure","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/riley\/2004\/05\/for_a_rotfl_novelist_hes_sure\/","title":{"rendered":"FOR A ROTFL NOVELIST: He&#8217;s Sure No Critic"},"content":{"rendered":"<p>&#8220;<a href=\"http:\/\/usefulnoise.blogspot.com\/2004_05_01_usefulnoise_archive.html#108515817441975860\" target=\"_blank\">His aesthetic is its own punishment<\/A>,&#8221; Keith Harris on Nick Hornby&#8217;s NY Times Op-Ed <a href=\"http:\/\/www.nytimes.com\/2004\/05\/21\/opinion\/21HORN.html?pagewanted=1&#038;ei=5007&#038;en=eb45d83049f168aa&#038;ex=1400472000&#038;partner=USERLAND\" target=\"_blank\">piece<\/A> today.  <BR><BR>Sasha Frere-Jones calls him Nick &#8220;<a href=\"http:\/\/www.sashafrerejones.com\/\" target=\"_blank\">Mojo-Magazine-Invented-Me-In-A-Diabolical-Laboratory-And-Now-They-Can&#8217;t-Kill-Me<\/A>&#8221; Hornby.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;His aesthetic is its own punishment,&#8221; Keith Harris on Nick Hornby&#8217;s NY Times Op-Ed piece today. Sasha Frere-Jones calls him Nick &#8220;Mojo-Magazine-Invented-Me-In-A-Diabolical-Laboratory-And-Now-They-Can&#8217;t-Kill-Me&#8221; Hornby.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-397","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/397","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/comments?post=397"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/397\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media?parent=397"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/categories?post=397"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/tags?post=397"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}