{"id":396,"date":"2004-06-09T08:59:57","date_gmt":"2004-06-09T12:59:57","guid":{"rendered":"http:\/\/www.artsjournal.com\/riley\/wp\/2004\/06\/more_on_covers_deluged_with_re\/"},"modified":"2004-06-09T08:59:57","modified_gmt":"2004-06-09T12:59:57","slug":"more_on_covers_deluged_with_re","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/riley\/2004\/06\/more_on_covers_deluged_with_re\/","title":{"rendered":"MORE ON COVERS: Deluged With Responses"},"content":{"rendered":"<p>Thank you to Tom Wilk and Doug Jones, who wrote in jogging my sieve of a memory: added John Fogerty&#8217;s BLUE RIDGE RANGERS below. Does it strike anyone else what a good year 1973 was for covers? <BR><BR><br \/>\nAnd as if to bless all this cosmic meandering, the Los Lobos record, THE RIDE, just came, and it&#8217;s like a cross between a brilliant cover record and a turbo-charge on their original material, totally entrancing. Cranks it up a few notches&#8230;<br \/>\nAND just for kicks, here&#8217;s how 2004 is shaping up to my ears:<\/p>\n<ol type=\"1\" start=\"1\">\nRILEY&#8217;S 2004 LIST as of 6\/9\/04<BR><BR><br \/>\nRocket From the Tombs ROCKET REDUX (Smog Veil)<BR><br \/>\nChris Richards TUMBLERS &#038; GRIT (Lake Effect) <BR><br \/>\nSam Phillips A BOOT AND A SHOE (Nonesuch) <BR><br \/>\nBottle Rockets BRAND NEW YEAR (New West) <BR><br \/>\nLos Lobos THE RIDE (Hollywood) <BR><br \/>\nAir WALKIE TALKIE (Astralwerks) <BR><br \/>\nBen Kweller ON MY WAY (ATO\/RCA) <BR><br \/>\nThe Notorious Cherry Bombs (Universal) <BR><br \/>\nAveo BATTERY (Barsuk) <BR>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"<p>Thank you to Tom Wilk and Doug Jones, who wrote in jogging my sieve of a memory: added John Fogerty&#8217;s BLUE RIDGE RANGERS below. Does it strike anyone else what a good year 1973 was for covers? And as if to bless all this cosmic meandering, the Los Lobos record, THE RIDE, just came, and [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-396","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/396","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/comments?post=396"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/396\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media?parent=396"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/categories?post=396"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/tags?post=396"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}