{"id":388,"date":"2004-05-21T03:47:04","date_gmt":"2004-05-21T07:47:04","guid":{"rendered":"http:\/\/www.artsjournal.com\/riley\/wp\/2004\/05\/catchup\/"},"modified":"2004-05-21T03:47:04","modified_gmt":"2004-05-21T07:47:04","slug":"catchup","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/riley\/2004\/05\/catchup\/","title":{"rendered":"CATCH-UP"},"content":{"rendered":"<p>Here&#8217;s my NPR story on <a href=\"http:\/\/www.here-now.org\/shows\/2004\/05\/20040511.asp\" target=\"_blank\">Loretta Lynn and Melissa Auf der Maur<\/A> from last week, buried at the bottom of the page (direct RM link <a href=\"http:\/\/realserver.bu.edu:8080\/ramgen\/w\/b\/wbur\/herenow\/2004\/05\/hn_0511.rm?start=34:29\" target=\"_blank\">here<\/A>). Guess which title is wearing much better than the other one?<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Here&#8217;s my NPR story on Loretta Lynn and Melissa Auf der Maur from last week, buried at the bottom of the page (direct RM link here). Guess which title is wearing much better than the other one?<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-388","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/388","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/comments?post=388"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/388\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media?parent=388"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/categories?post=388"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/tags?post=388"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}