{"id":381,"date":"2004-04-02T03:52:30","date_gmt":"2004-04-02T08:52:30","guid":{"rendered":"http:\/\/www.artsjournal.com\/riley\/wp\/2004\/04\/put_the_money_down_in_a_tin_cu\/"},"modified":"2004-04-02T03:52:30","modified_gmt":"2004-04-02T08:52:30","slug":"put_the_money_down_in_a_tin_cu","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/riley\/2004\/04\/put_the_money_down_in_a_tin_cu\/","title":{"rendered":"PUT THE MONEY DOWN: (in a tin cup)"},"content":{"rendered":"<p>So I arrive in London last night after an interminable British Airways flight after watching SHATTERED GLASS, that movie about the NEW REPUBLIC fiction scandal, which I stuck with only because people like <a href=\"http:\/\/www.imdb.com\/name\/nm0001721\/\" target=\"_blank\">Chloe Sevigny<\/A> and Steve Zahn were in it. Lead performance was pretty decent, it was the writing again, alas. In a movie about WRITING.<br \/>\n<BR><BR><br \/>\nBut the thing is I came over with a new Nokia 3100 all ready to rock and the damn thing wouldn&#8217;t work. It noticed THREE available networks but wouldn&#8217;t get chummy with any. So I spent the morning at a global phone shop, spent 11 pounds getting situated, and learning from an overly forthcoming AT&#038;T operator in the US that AT&#038;T&#8217;s internat&#8217;l service was basically nonexistent. She knew from PERSONAL EXPERIENCE. I thanked her for being straight with me. She laughed and said it was too early for anybody to listen in on her. <BR><BR><br \/>\nThen I went to a phone shop for a new SIM card, but the guy showed me how the phone is LOCKED by AT&#038;T to prevent just this type of thing. Later on I was wandering around and came across this sign: &#8220;Unlocking all phones to all networks.&#8221; Bingo &#8212; I head inside and it&#8217;s like an old-fashioned head shop for geeks: row upon row of monitors and over two dozen hipsters surfing the web for 1 pound and hour. [Phonefixers, 07958-22-33-11, 138-140 Charing Cross Road.] This guy takes my phone apart, looks up the unlock code on the web, unlocks it, puts a new SIM card in, gives me a local number, and I&#8217;m off and running. If you&#8217;re reading this and want to call, try [US: 011-44] 0794-445-2949. AT&#038;T charges $5\/month for its global service, and 99 cents a minute on every call. This service I picked up costs 19 cents a minute, and all Brits calling me have only a local dial to make. And I don&#8217;t pay for any incoming calls. <BR><BR>Tonight I talked with Paul Du Noyer, who passed along a new issue of <a href=\"http:\/\/www.wordmagazine.co.uk\/\" target=\"_blank\">WORD<\/A>; Mark Lewisohn, and Howie Casey. Tomorrow I get the London Beatle tour. My feet are already killing me.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>So I arrive in London last night after an interminable British Airways flight after watching SHATTERED GLASS, that movie about the NEW REPUBLIC fiction scandal, which I stuck with only because people like Chloe Sevigny and Steve Zahn were in it. Lead performance was pretty decent, it was the writing again, alas. In a movie [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-381","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/381","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/comments?post=381"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/381\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media?parent=381"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/categories?post=381"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/tags?post=381"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}