{"id":377,"date":"2004-03-07T08:10:47","date_gmt":"2004-03-07T13:10:47","guid":{"rendered":"http:\/\/www.artsjournal.com\/riley\/wp\/2004\/03\/ladies_and_gentlemen_we_give_y\/"},"modified":"2004-03-07T08:10:47","modified_gmt":"2004-03-07T13:10:47","slug":"ladies_and_gentlemen_we_give_y","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/riley\/2004\/03\/ladies_and_gentlemen_we_give_y\/","title":{"rendered":"LADIES AND GENTLEMEN: We Give You&#8230;"},"content":{"rendered":"<p>The <a href=\"http:\/\/www.theatlantic.com\/issues\/2004\/03\/flanagan.htm\" target=\"_blank\">Elizabeth<\/A> <a href=\"http:\/\/www.theatlantic.com\/unbound\/interviews\/int2004-02-12.htm\" target=\"_blank\">Wurtzel<\/A> of Motherhood, and the latest barometer of the <a href=\"http:\/\/www.google.com\/search?hl=en&#038;ie=ISO-8859-1&#038;q=%22caitlin+flanagan%22+new+yorker\" target=\"_blank\">New Yorker&#8217;s<\/A> decline.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Elizabeth Wurtzel of Motherhood, and the latest barometer of the New Yorker&#8217;s decline.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-377","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/377","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/comments?post=377"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/377\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media?parent=377"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/categories?post=377"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/tags?post=377"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}