{"id":359,"date":"2004-02-01T09:26:49","date_gmt":"2004-02-01T14:26:49","guid":{"rendered":"http:\/\/www.artsjournal.com\/riley\/wp\/2004\/02\/jj_to_justin_powerless\/"},"modified":"2004-02-01T09:26:49","modified_gmt":"2004-02-01T14:26:49","slug":"jj_to_justin_powerless","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/riley\/2004\/02\/jj_to_justin_powerless\/","title":{"rendered":"JJ TO JUSTIN: Powerless"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/newsimg.bbc.co.uk\/media\/images\/39796000\/jpg\/_39796111_brown_ap203.jpg\" width=\"225\" height=\"200\" align=\"left\" alt=\"James Brown\">The hardest working man in show business still pumps up for Super Bowl OLD SCHOOL.<BR><BR>And in a clever campaign to <a href=\"http:\/\/us.news1.yimg.com\/us.yimg.com\/p\/rids\/20040202\/i\/r2794264459.jpg\" target=\"_blank\">upstage<\/A> her brother&#8217;s pedophilia trial, &#8230;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The hardest working man in show business still pumps up for Super Bowl OLD SCHOOL.And in a clever campaign to upstage her brother&#8217;s pedophilia trial, &#8230;<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-359","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/359","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/comments?post=359"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/359\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media?parent=359"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/categories?post=359"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/tags?post=359"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}