{"id":358,"date":"2004-01-24T05:08:31","date_gmt":"2004-01-24T10:08:31","guid":{"rendered":"http:\/\/www.artsjournal.com\/riley\/wp\/2004\/01\/tear_off_your_own_head_its_a_d\/"},"modified":"2004-01-24T05:08:31","modified_gmt":"2004-01-24T10:08:31","slug":"tear_off_your_own_head_its_a_d","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/riley\/2004\/01\/tear_off_your_own_head_its_a_d\/","title":{"rendered":"TEAR OFF YOUR OWN HEAD: It’s a Doll Revolution"},"content":{"rendered":"

\"The<\/A>
\nThe Bunch, ROCK ON (Fledg’ling<\/A>)<\/B>
\n

\nBesides containing the ultimate Buddy Holly cover of all-time, Sandy Denny singing “Learning the Game” (as well as swanky readings of “That’ll Be The Day” and “Love’s Made a Fool of You”), this remastered collection of standards by various strands of the Fairport Convention from 1972 has long been among the great out-of-print cover albums. Here it is all gussied up with extra tracks like “Twenty Flight Rock,” “High School Confidential,” and “La Bamba.” There are no obvious tracks: Thompson solos on a revelation, Dion’s “My Girl the Month of May,” and Denny’s “Loco-Motion” is both funky and tart. All fans of The Band’s MOONDOG MATINEE should pony up; this is the British antecedent.
\n


\nWhilst grocery shopping this afternoon, I blissed out to THE MEADOWLANDS by the Wrens (Absolutely Kosher).

OH, and there’s this<\/A>.<\/p>\n","protected":false},"excerpt":{"rendered":"

The Bunch, ROCK ON (Fledg’ling) Besides containing the ultimate Buddy Holly cover of all-time, Sandy Denny singing “Learning the Game” (as well as swanky readings of “That’ll Be The Day” and “Love’s Made a Fool of You”), this remastered collection of standards by various strands of the Fairport Convention from 1972 has long been among […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-358","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/358","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/comments?post=358"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/358\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media?parent=358"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/categories?post=358"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/tags?post=358"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}