{"id":345,"date":"2004-01-02T08:46:31","date_gmt":"2004-01-02T13:46:31","guid":{"rendered":"http:\/\/www.artsjournal.com\/riley\/wp\/2004\/01\/hey_that_snail_was_about_to_ch\/"},"modified":"2004-01-02T08:46:31","modified_gmt":"2004-01-02T13:46:31","slug":"hey_that_snail_was_about_to_ch","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/riley\/2004\/01\/hey_that_snail_was_about_to_ch\/","title":{"rendered":"HEY THAT SNAIL WAS ABOUT TO CHARGE"},"content":{"rendered":"<p>Where have I been? <a href=\"http:\/\/othernessblue.blogspot.com\/\" target=\"_blank\">Jess Harvel<\/A> RULES, especially love his piece on <a href=\"http:\/\/www.seattleweekly.com\/features\/0328\/music-zep.php\" target=\"_blank\">Zep<\/A>, where he dubs Robert Plant &#8220;a praying mantis in a fright wig.&#8221;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Where have I been? Jess Harvel RULES, especially love his piece on Zep, where he dubs Robert Plant &#8220;a praying mantis in a fright wig.&#8221;<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-345","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/345","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/comments?post=345"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/345\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media?parent=345"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/categories?post=345"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/tags?post=345"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}