{"id":340,"date":"2003-11-09T07:32:34","date_gmt":"2003-11-09T12:32:34","guid":{"rendered":"http:\/\/www.artsjournal.com\/riley\/wp\/2003\/11\/big_reaper_again\/"},"modified":"2003-11-09T07:32:34","modified_gmt":"2003-11-09T12:32:34","slug":"big_reaper_again","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/riley\/2003\/11\/big_reaper_again\/","title":{"rendered":"BIG REAPER, AGAIN"},"content":{"rendered":"<p><A HREF=\"http:\/\/us.imdb.com\/name\/nm0138770\/\">Art Carney<\/A>\u2019s death touches a soft spot, not just for the obvious reasons, but for his later work in treasures like <A HREF=\"http:\/\/us.imdb.com\/title\/tt0071598\/\">HARRY AND TONTO<\/A> (1974) and <A HREF=\"http:\/\/us.imdb.com\/title\/tt0076301\/\">THE LATE SHOW<\/A> (1977) opposite Lily Tomlin. I remember watching HARRY AND TONTO at the Flatirons on the Hill, and where that Boulder line got a huge laugh. He was also a big sport in his last picture, THE LAST ACTION HERO.<br \/>\n<BR><BR><br \/>\nFun facts about Bush: On top of cutting military salaries, I really like the fact that W. has yet to attend a soldier\u2019s funeral in this war. It\u2019s really unforgivable, and the Dems oughtta jump on it and push hard.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Art Carney\u2019s death touches a soft spot, not just for the obvious reasons, but for his later work in treasures like HARRY AND TONTO (1974) and THE LATE SHOW (1977) opposite Lily Tomlin. I remember watching HARRY AND TONTO at the Flatirons on the Hill, and where that Boulder line got a huge laugh. He [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-340","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/340","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/comments?post=340"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/340\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media?parent=340"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/categories?post=340"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/tags?post=340"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}