{"id":330,"date":"2003-11-30T10:34:45","date_gmt":"2003-11-30T15:34:45","guid":{"rendered":"http:\/\/www.artsjournal.com\/riley\/wp\/2003\/11\/not_for_sentimental_reasons\/"},"modified":"2003-11-30T10:34:45","modified_gmt":"2003-11-30T15:34:45","slug":"not_for_sentimental_reasons","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/riley\/2003\/11\/not_for_sentimental_reasons\/","title":{"rendered":"NOT FOR SENTIMENTAL REASONS"},"content":{"rendered":"<p>\u00b6 After two episodes of ARRESTED DEVELOPMENT, we\u2019re ready to give Liza Minelli the rebound award for \u201cBest Save: Marriage and Career in Flames.\u201d And she shouldn\u2019t thank wardrobe, which hopefully is part of her character. <BR><BR><br \/>\n\u00b6 Prison conversation between Spector and Jacko: <BR><br \/>\n\u201cWhat are you in for?\u201d <BR><br \/>\n\u201dMurder\u2026You?\u201d <BR><br \/>\n\u201dIt\u2019s just a BIG misunderstanding\u2026\u201d <BR><BR><br \/>\nCould be rife with subtext about how Phil recognizes Michael, but Michael doesn\u2019t seem to know who Phil is. <BR><BR><br \/>\n\u201cIs that a toupe?\u201d etc etc. <BR><br \/>\n\u201dHey, you\u2019re not one to talk about HAIR, my friend\u2026\u201d <BR><br \/>\nor \u201cNo, is yours?\u201d <BR><BR><br \/>\n&#8220;Hey Jacko, have any gangs approached you yet?&#8221; <BR><br \/>\n&#8220;Is that what that was?<BR><BR><br \/>\n\u201dHey, Jacko, after we cut loose these chains, how\u2019s about I do up your next album? I swear getting dissed by Paul McCartney after 30 years is worse than a murder rap\u2026\u201d <BR><br \/>\n\u201dPaul is such a sweetie, and his catalog performs so well\u2026\u201d<BR><BR><br \/>\n\u00b6 Over the weekend I listened to selections from THE ESSENTIAL BRUCE SPRINGSTEEN, remastered by Bob Ludwig, and the sound delivers wondrous funky detail, depth, and nuance&#8211;much of it even more revealing than his work on 1995&#8217;s GREATEST HITS. The three DARKNESS tracks alone make you hope the whole catalog will get this treatment. After the Beatles remixes on YELLOW SUBMARINE and the 5:1 dubs for ANTHOLOGY, the Stones ABKCO SACDs, and the Dylan SACDs, it\u2019s enough to make you curse the industry for coming out with CDs in the early &#8217;80s LONG BEFORE they figured out how to make\u2019m sound decent. Now, with reluctance, we have to restock everything AGAIN. Still on the fence over SACD vs. DVD-A. <BR><BR><br \/>\n\u00b6 If you liked W&#8217;s weekend Air Force One theatre, scroll down and click on &#8220;<a href=\"http:\/\/www.punkvoter.com\/home\/home.php\" target=\"_blank\">Idiot Son of a Bastard<\/A>.&#8221; Then write a letter to your local newspaper about how such gestures are still meaningless since he&#8217;s yet to attend a single soldier&#8217;s funeral.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00b6 After two episodes of ARRESTED DEVELOPMENT, we\u2019re ready to give Liza Minelli the rebound award for \u201cBest Save: Marriage and Career in Flames.\u201d And she shouldn\u2019t thank wardrobe, which hopefully is part of her character. \u00b6 Prison conversation between Spector and Jacko: \u201cWhat are you in for?\u201d \u201dMurder\u2026You?\u201d \u201dIt\u2019s just a BIG misunderstanding\u2026\u201d Could [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-330","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/330","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/comments?post=330"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/330\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media?parent=330"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/categories?post=330"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/tags?post=330"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}