{"id":3255,"date":"2018-02-15T19:32:19","date_gmt":"2018-02-16T00:32:19","guid":{"rendered":"http:\/\/www.artsjournal.com\/riley\/?p=3255"},"modified":"2018-02-04T16:46:21","modified_gmt":"2018-02-04T21:46:21","slug":"rudolfserkin-glenngould","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/riley\/2018\/02\/rudolfserkin-glenngould\/","title":{"rendered":"Fearsome Meditations"},"content":{"rendered":"<p><a href=\"https:\/\/www.truthdig.com\/articles\/serkin-gould-pianists-ideal\/\" rel=\"attachment wp-att-3256\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-3256\" src=\"https:\/\/www.artsjournal.com\/riley\/wp\/wp-content\/uploads\/2018\/02\/rudolf-serkin-george-szell-johannes-brahms-klavierkonzert-nr.2-b-dur-op.83.jpg\" alt=\"\" width=\"730\" height=\"730\" srcset=\"https:\/\/www.artsjournal.com\/riley\/wp\/wp-content\/uploads\/2018\/02\/rudolf-serkin-george-szell-johannes-brahms-klavierkonzert-nr.2-b-dur-op.83.jpg 600w, https:\/\/www.artsjournal.com\/riley\/wp\/wp-content\/uploads\/2018\/02\/rudolf-serkin-george-szell-johannes-brahms-klavierkonzert-nr.2-b-dur-op.83-150x150.jpg 150w, https:\/\/www.artsjournal.com\/riley\/wp\/wp-content\/uploads\/2018\/02\/rudolf-serkin-george-szell-johannes-brahms-klavierkonzert-nr.2-b-dur-op.83-300x300.jpg 300w, https:\/\/www.artsjournal.com\/riley\/wp\/wp-content\/uploads\/2018\/02\/rudolf-serkin-george-szell-johannes-brahms-klavierkonzert-nr.2-b-dur-op.83-100x100.jpg 100w, https:\/\/www.artsjournal.com\/riley\/wp\/wp-content\/uploads\/2018\/02\/rudolf-serkin-george-szell-johannes-brahms-klavierkonzert-nr.2-b-dur-op.83-200x200.jpg 200w\" sizes=\"auto, (max-width: 730px) 100vw, 730px\" \/><\/a><a href=\"https:\/\/www.truthdig.com\/articles\/serkin-gould-pianists-ideal\/\">Serkin, Gould and the Pianist&#8217;s Ideal<\/a><\/p>\n<p>Recently available deluxe recordings from Rudolf Serkin and Glenn Gould reveal new secrets about these polar-opposite titans of classical piano:<\/p>\n<p style=\"padding-left: 30px;\">Expansive yet forbidding, imperious yet embracing, pianist Rudolf Serkin mixed charm with guilt to build a towering legacy. His recordings confirm him as a titan of the old school, a European who branded piano\u2019s core repertoire with an air of authenticity. His philosophy of interpretive submission spurred rebelliousness in the next generation, and he hovers over classical piano\u2019s firmament with peers like Arthur Rubinstein, Vladimir Horowitz and Mieczys\u0142aw Horszowski.<\/p>\n<p style=\"padding-left: 30px;\">By contrast, Glenn Gould, the Canadian, had enough peculiarities to fuel several careers. Deluxe editions from these polar opposites reveal new secrets about the first century of piano recordings. Gould made classical music\u2019s best-selling album in 1955 by playing a dormant epic from Bach: \u201cThe Goldberg Variations.\u201d Serkin performed and taught Bach, Mozart, Beethoven, Schumann and Brahms with a stern self-abasement, wincing whenever he had to \u201cpatch\u201d a wrong note using a tape splice. To Serkin, this meant \u201ccheating,\u201d and sent his notorious practice regimen into overdrive&#8230; (<a href=\"https:\/\/www.truthdig.com\/articles\/serkin-gould-pianists-ideal\/\">more<\/a>)<\/p>\n<p><strong>WAITING FOR MY MAN: BECK<\/strong><\/p>\n<p>Or, cue to 30:00 for gothic Lennon frame, on Spotify: <a href=\"https:\/\/open.spotify.com\/show\/26bgNzmKgWLpSsut4v7vNP\">Music Happens Here, NYC<\/a><\/p>\n<p><a href=\"http:\/\/www.artsjournal.com\/riley\/?attachment_id=3258\" rel=\"attachment wp-att-3258\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-3258 alignleft\" src=\"https:\/\/www.artsjournal.com\/riley\/wp\/wp-content\/uploads\/2018\/02\/The_Dakota_1880s_full-300x221.jpg\" alt=\"\" width=\"718\" height=\"529\" srcset=\"https:\/\/www.artsjournal.com\/riley\/wp\/wp-content\/uploads\/2018\/02\/The_Dakota_1880s_full-300x221.jpg 300w, https:\/\/www.artsjournal.com\/riley\/wp\/wp-content\/uploads\/2018\/02\/The_Dakota_1880s_full-768x566.jpg 768w, https:\/\/www.artsjournal.com\/riley\/wp\/wp-content\/uploads\/2018\/02\/The_Dakota_1880s_full-1024x754.jpg 1024w, https:\/\/www.artsjournal.com\/riley\/wp\/wp-content\/uploads\/2018\/02\/The_Dakota_1880s_full.jpg 1161w\" sizes=\"auto, (max-width: 718px) 100vw, 718px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Serkin, Gould and the Pianist&#8217;s Ideal Recently available deluxe recordings from Rudolf Serkin and Glenn Gould reveal new secrets about these polar-opposite titans of classical piano: Expansive yet forbidding, imperious yet embracing, pianist Rudolf Serkin mixed charm with guilt to build a towering legacy. His recordings confirm him as a titan of the old school, [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-3255","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/3255","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/comments?post=3255"}],"version-history":[{"count":3,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/3255\/revisions"}],"predecessor-version":[{"id":3259,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/3255\/revisions\/3259"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media?parent=3255"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/categories?post=3255"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/tags?post=3255"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}