{"id":3098,"date":"2016-12-31T13:21:25","date_gmt":"2016-12-31T18:21:25","guid":{"rendered":"http:\/\/www.artsjournal.com\/riley\/?p=3098"},"modified":"2016-12-28T13:26:08","modified_gmt":"2016-12-28T18:26:08","slug":"rip-2016","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/riley\/2016\/12\/rip-2016\/","title":{"rendered":"DELUXE DOUBLE ISSUE: RIP 2016"},"content":{"rendered":"<p><strong>BEST OF 2016<\/strong><\/p>\n<p>In no particular order (spotify links):<\/p>\n<ul>\n<li><a href=\"http:\/\/www.artsjournal.com\/riley\/?attachment_id=3102\" rel=\"attachment wp-att-3102\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-3102 \" src=\"https:\/\/www.artsjournal.com\/riley\/wp\/wp-content\/uploads\/2016\/12\/bowie_blackstar-300x300.jpg\" alt=\"bowie_blackstar\" width=\"270\" height=\"270\" srcset=\"https:\/\/www.artsjournal.com\/riley\/wp\/wp-content\/uploads\/2016\/12\/bowie_blackstar-300x300.jpg 300w, https:\/\/www.artsjournal.com\/riley\/wp\/wp-content\/uploads\/2016\/12\/bowie_blackstar-150x150.jpg 150w, https:\/\/www.artsjournal.com\/riley\/wp\/wp-content\/uploads\/2016\/12\/bowie_blackstar-768x768.jpg 768w, https:\/\/www.artsjournal.com\/riley\/wp\/wp-content\/uploads\/2016\/12\/bowie_blackstar-1024x1024.jpg 1024w, https:\/\/www.artsjournal.com\/riley\/wp\/wp-content\/uploads\/2016\/12\/bowie_blackstar-100x100.jpg 100w, https:\/\/www.artsjournal.com\/riley\/wp\/wp-content\/uploads\/2016\/12\/bowie_blackstar-200x200.jpg 200w, https:\/\/www.artsjournal.com\/riley\/wp\/wp-content\/uploads\/2016\/12\/bowie_blackstar.jpg 1500w\" sizes=\"auto, (max-width: 270px) 100vw, 270px\" \/><\/a>David Bowie: <em><a href=\"https:\/\/play.spotify.com\/album\/2w1YJXWMIco6EBf0CovvVN\">Blackstar<\/a><\/em> (Columbia)<\/li>\n<li>Margaret Glaspy: <em><a href=\"https:\/\/play.spotify.com\/album\/5bvAtftv0OnXJW2Ix5jlan\">Emotions and Math<\/a>\u00a0<\/em>(Warner Bros)<\/li>\n<li>Maren Morris:<b> <\/b><a href=\"https:\/\/play.spotify.com\/album\/3E10GQY1o8ZkHrhlQymzaO\"><i>Hero<\/i><\/a> (Columbia Nashville)<\/li>\n<li>Alicia Keys, <em><a href=\"https:\/\/play.spotify.com\/album\/66RQAPD5x5nQgQzOa0X3sz\">Here<\/a> <\/em>(RCA)<\/li>\n<li>Brandi Carlisle: <em><a href=\"https:\/\/play.spotify.com\/album\/2FWEy5yBlj6ry5AdnbXgEi\">The Firewatcher&#8217;s Daughter<\/a><\/em> (ATO)<\/li>\n<li>A Tribe Called Quest: <em><a href=\"https:\/\/play.spotify.com\/album\/3WvQpufOsPzkZvcSuynCf3\">We Got It From Here<\/a><\/em> (Epic)<\/li>\n<li>Leonard Cohen: <em><a href=\"https:\/\/play.spotify.com\/album\/3jeTB3j3QmUs8SPIVleHtU\">You Want It Darker<\/a><\/em> (Columbia)<\/li>\n<li>Brandy Clark: <em><a href=\"https:\/\/play.spotify.com\/album\/5WT3uq1m6c85ydroGQwqXl\">Big Day In A Small Town<\/a><\/em> (Warner Bros)<\/li>\n<li>Parquet Courts: <i>Human Performance<\/i> (Rough Trade)<\/li>\n<li>Anderson Paak: <a href=\"https:\/\/play.spotify.com\/album\/4VFG1DOuTeDMBjBLZT7hCK\"><em>Malibu<\/em><\/a> (OBE\/Steel Wool\/ArtClub\/Empire)<\/li>\n<\/ul>\n<p>also-rans:<\/p>\n<ul>\n<li>Drive-By Truckers: <i>American Band<\/i> (ATO)<\/li>\n<li>Miranda Lambert: <i>The Weight of These Wings<\/i> (RCA Nashville, 2CD)<\/li>\n<li>Lori McKenna: <i>The Bird &amp; the Rifle<\/i> (CN\/Thirty Tigers)<\/li>\n<li>Bonnie Raitt: <i>Dig In Deep<\/i> (Redwing)<\/li>\n<li>John Prine: <i>For Better or Worse<\/i> (Oh Boy)<\/li>\n<li>Margo Price: <i>Midwest Farmer&#8217;s Daughter<\/i> (Third Man)<\/li>\n<li>Kendrick Lamar: <i>Untitled Unmastered<\/i> (Top Dawg Entertainment)<\/li>\n<li>The Rolling Stones: <i>Blue &amp; Lonesome<\/i> (Polydor)<\/li>\n<li>Waco Brothers: <i>Going Down in History<\/i> (Bloodshot)<\/li>\n<li>Solange: <i>A Seat at the Table<\/i> (Saint\/Columbia)<\/li>\n<li>Macy Gray: <i>Stripped<\/i> (Chesky)<\/li>\n<li>PJ Harvey: <i>The Hope Six Demolition Project<\/i> (Vagrant)<\/li>\n<\/ul>\n<p><strong>CLASSICAL<\/strong><\/p>\n<ul>\n<li>Bach: French Suites, Murray Perahia, piano (Deutsche Grammophon)<\/li>\n<li>Shostakovich: Symphonies Nos 5, 8 &amp; 9, Boston Symphony Orchestra, Andris Nelsons\u00a0(Deutsche Grammophon)<\/li>\n<li>Brahms: The Piano Trios, Tanja Tetzlaff, Christian Tetzlaff &amp; Lars Vogt (Ondine)<\/li>\n<li>Beethoven: Piano Sonatas, Andras Schiff, piano (ECM New Series, 11-CDs)<\/li>\n<li>Brahms, Dvorak Serenades:\u00a0Boston Symphony Chamber Players (BSO Classics)<\/li>\n<\/ul>\n<p><strong>BEST RELATIONSHIP WITH THE CAMERA\u00a0<\/strong><\/p>\n<p>Phoebe Waller-Bridge in <em>Fleabag<\/em><\/p>\n<div id=\"attachment_3105\" style=\"width: 1156px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.artsjournal.com\/riley\/?attachment_id=3105\" rel=\"attachment wp-att-3105\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-3105\" class=\"wp-image-3105 size-full\" title=\"http:\/\/www.imdb.com\/title\/tt5687612\/\" src=\"https:\/\/www.artsjournal.com\/riley\/wp\/wp-content\/uploads\/2016\/12\/fleabag.jpg\" alt=\"fleabag\" width=\"1146\" height=\"506\" srcset=\"https:\/\/www.artsjournal.com\/riley\/wp\/wp-content\/uploads\/2016\/12\/fleabag.jpg 1146w, https:\/\/www.artsjournal.com\/riley\/wp\/wp-content\/uploads\/2016\/12\/fleabag-300x132.jpg 300w, https:\/\/www.artsjournal.com\/riley\/wp\/wp-content\/uploads\/2016\/12\/fleabag-768x339.jpg 768w, https:\/\/www.artsjournal.com\/riley\/wp\/wp-content\/uploads\/2016\/12\/fleabag-1024x452.jpg 1024w\" sizes=\"auto, (max-width: 1146px) 100vw, 1146px\" \/><\/a><p id=\"caption-attachment-3105\" class=\"wp-caption-text\"><em>Phoebe Waller-Bridge as Fleabag, which she wrote.<\/em><\/p><\/div>\n<p><strong>PATRICK CARNEY&#8217;S HIGH STANDARDS MUSIC CORNER<\/strong><\/p>\n<p>Black Keys&#8217; drummer reacts in <a href=\"https:\/\/news.vice.com\/tag\/black-keys\">real time<\/a>.<\/p>\n<p>&nbsp;<\/p>\n<p><b>DON&#8217;T MAKE ME SING<\/b><\/p>\n<p><a href=\"http:\/\/www.artsjournal.com\/riley\/?attachment_id=3104\" target=\"_blank\" rel=\"http:\/\/www.truthdig.com\/staff\/tim_riley\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-3104 size-full\" src=\"https:\/\/www.artsjournal.com\/riley\/wp\/wp-content\/uploads\/2016\/12\/Screenshot-2016-12-20-18.03.54.png\" alt=\"screenshot-2016-12-20-18-03-54\" width=\"609\" height=\"168\" srcset=\"https:\/\/www.artsjournal.com\/riley\/wp\/wp-content\/uploads\/2016\/12\/Screenshot-2016-12-20-18.03.54.png 609w, https:\/\/www.artsjournal.com\/riley\/wp\/wp-content\/uploads\/2016\/12\/Screenshot-2016-12-20-18.03.54-300x83.png 300w\" sizes=\"auto, (max-width: 609px) 100vw, 609px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>BEST OF 2016 In no particular order (spotify links): David Bowie: Blackstar (Columbia) Margaret Glaspy: Emotions and Math\u00a0(Warner Bros) Maren Morris: Hero (Columbia Nashville) Alicia Keys, Here (RCA) Brandi Carlisle: The Firewatcher&#8217;s Daughter (ATO) A Tribe Called Quest: We Got It From Here (Epic) Leonard Cohen: You Want It Darker (Columbia) Brandy Clark: Big Day [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-3098","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/3098","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/comments?post=3098"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/3098\/revisions"}],"predecessor-version":[{"id":3123,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/3098\/revisions\/3123"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media?parent=3098"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/categories?post=3098"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/tags?post=3098"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}