{"id":3004,"date":"2016-07-01T09:33:48","date_gmt":"2016-07-01T13:33:48","guid":{"rendered":"http:\/\/www.artsjournal.com\/riley\/?p=3004"},"modified":"2016-06-30T12:08:30","modified_gmt":"2016-06-30T16:08:30","slug":"sheffield_bowie","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/riley\/2016\/07\/sheffield_bowie\/","title":{"rendered":"July All-Stars Get Off-On Bowie"},"content":{"rendered":"<p><a href=\"http:\/\/www.artsjournal.com\/riley\/?attachment_id=3036\" target=\"_blank\" rel=\"attachment wp-att-3036\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-3036 size-medium\" src=\"https:\/\/www.artsjournal.com\/riley\/wp\/wp-content\/uploads\/2016\/07\/Screen-Shot-2016-06-28-at-12.15.47-PM-204x300.png\" alt=\"Screen Shot 2016-06-28 at 12.15.47 PM\" width=\"204\" height=\"300\" srcset=\"https:\/\/www.artsjournal.com\/riley\/wp\/wp-content\/uploads\/2016\/07\/Screen-Shot-2016-06-28-at-12.15.47-PM-204x300.png 204w, https:\/\/www.artsjournal.com\/riley\/wp\/wp-content\/uploads\/2016\/07\/Screen-Shot-2016-06-28-at-12.15.47-PM.png 291w\" sizes=\"auto, (max-width: 204px) 100vw, 204px\" \/><\/a><\/p>\n<p>Five Quotes from Rob Sheffield&#8217;s\u00a0<a href=\"https:\/\/www.harpercollins.com\/9780062562722\/on-bowie#\">On Bowie<\/a>\u00a0(Dey Street)<\/p>\n<ul>\n<li>&#8220;Then there&#8217;s the Rip Torn full-frontal scene. (Rip ain&#8217;t no <a href=\"https:\/\/www.google.com\/search?q=Jenny+Agutter&amp;safe=off&amp;source=lnms&amp;tbm=isch&amp;sa=X&amp;ved=0ahUKEwiExdC8hczNAhXOcCYKHbDkDnQQ_AUICCgB&amp;biw=1225&amp;bih=734\">Jenny Agutter<\/a>, that&#8217;s for sure.)&#8230;&#8221;<\/li>\n<li>&#8220;How is it possible to get so flaked out that <a href=\"https:\/\/www.google.com\/url?sa=t&amp;rct=j&amp;q=&amp;esrc=s&amp;source=newssearch&amp;cd=1&amp;cad=rja&amp;uact=8&amp;ved=0ahUKEwi6_frNhczNAhUB6iYKHbemDLEQqQIIHigAMAA&amp;url=http%3A%2F%2Fwww.huffingtonpost.com%2Fentry%2Fmackenzie-phillips-father-affair_us_575608e2e4b0b60682deb794&amp;usg=AFQjCNHdZpYLPc40JUsrYFolDi0j9bi9Jw&amp;sig2=xONzazkVawL1W8pZSbMqGA\">John Phillips<\/a> looks like the reliable pro?&#8221;<\/li>\n<li>&#8220;In a way, the Davis\/Murray\/Almomar trio are like the quartet who backed Rod Stewart on his early solo records\u2014they never had a name, they were never officially a band, but they&#8217;re why you can still hear &#8216;Maggie Mae&#8217; on the radio every day&#8230;&#8221; [For the record: drummer <a href=\"https:\/\/play.spotify.com\/track\/2KHls7uaYRy37TSyOoNrqL\">Mick Waller<\/a>, bassist Ron Wood, guitarist Martin Quittenton. Long live <a href=\"http:\/\/forums.stevehoffman.tv\/threads\/mickey-waller-rip.150350\/page-2\">Mick Waller<\/a>.]<\/li>\n<li>(&#8220;The concept of satirizing things is so key when you&#8217;re thirteen&#8230;&#8221;)<\/li>\n<li>&#8220;I loved every VJ ever, except Dweezil <a href=\"https:\/\/www.google.com\/imgres?imgurl=https%3A%2F%2Fs-media-cache-ak0.pinimg.com%2F564x%2F39%2F62%2Fe6%2F3962e6ef54d422d7274c1e517a01c34a.jpg&amp;imgrefurl=https%3A%2F%2Fwww.pinterest.com%2Fpin%2F318700111101748803%2F&amp;docid=6aRbQu77su7v8M&amp;tbnid=Y53flggASFL9WM%3A&amp;w=564&amp;h=752&amp;safe=off&amp;bih=734&amp;biw=1225&amp;ved=0ahUKEwjjt5bazM3NAhWCcD4KHWbsDxAQMwgdKAEwAQ&amp;iact=mrc&amp;uact=8\">Zappa<\/a>.&#8221;<\/li>\n<\/ul>\n<h2><\/h2>\n<h2>Martin-Brickell&#8217;s Show Closes, Paul Simon Retires<\/h2>\n<p>You&#8217;ve seen him <a href=\"https:\/\/www.google.com\/url?sa=t&amp;rct=j&amp;q=&amp;esrc=s&amp;source=web&amp;cd=3&amp;cad=rja&amp;uact=8&amp;ved=0ahUKEwiO7L7Cyc3NAhVEdz4KHeumBvsQFggqMAI&amp;url=http%3A%2F%2Fwww.nytimes.com%2F2016%2F06%2F29%2Fnyregion%2Fpaul-simon-retirement-stranger-to-stranger.html&amp;usg=AFQjCNGNEmfqQ01hFH9fdgnZGvCme2rJzA&amp;sig2=g7mcImrojtDnhofPg5tITw&amp;bvm=bv.125801520,d.cWw\">quoted<\/a> in the New York Times as Paul Simon&#8217;s lead guitarist and bandleader. Now drop and clang fifty:\u00a0<iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/96020734\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><a href=\"https:\/\/vimeo.com\/96020734\">Inside Mark Stewart&#8217;s Island of Misfit Toys: Q2 Spaces<\/a> from <a href=\"https:\/\/vimeo.com\/user15050108\">Q2 Music<\/a> on <a href=\"https:\/\/vimeo.com\">Vimeo<\/a>.<\/p>\n<p>&nbsp;<\/p>\n<h2>Scotty Moore (1931-2016)<\/h2>\n<p>from Peter Guralnick&#8217;s <em>Last Train to Memphis<\/em>:<\/p>\n<p><a href=\"https:\/\/books.google.com\/books?id=NypSAxK5IrgC&amp;printsec=frontcover&amp;dq=guralnick+last+train+to+memphis&amp;hl=en&amp;sa=X&amp;ved=0ahUKEwi9n7qLkNDNAhXBCh4KHZFyDIMQ6AEIHjAA#v=onepage&amp;q=retainer&amp;f=false\" rel=\"attachment wp-att-3043\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-3043\" src=\"https:\/\/www.artsjournal.com\/riley\/wp\/wp-content\/uploads\/2016\/07\/Screen-Shot-2016-06-30-at-12.10.45-PM-269x300.png\" alt=\"Guralnick\" width=\"593\" height=\"661\" srcset=\"https:\/\/www.artsjournal.com\/riley\/wp\/wp-content\/uploads\/2016\/07\/Screen-Shot-2016-06-30-at-12.10.45-PM-269x300.png 269w, https:\/\/www.artsjournal.com\/riley\/wp\/wp-content\/uploads\/2016\/07\/Screen-Shot-2016-06-30-at-12.10.45-PM.png 618w\" sizes=\"auto, (max-width: 593px) 100vw, 593px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Five Quotes from Rob Sheffield&#8217;s\u00a0On Bowie\u00a0(Dey Street) &#8220;Then there&#8217;s the Rip Torn full-frontal scene. (Rip ain&#8217;t no Jenny Agutter, that&#8217;s for sure.)&#8230;&#8221; &#8220;How is it possible to get so flaked out that John Phillips looks like the reliable pro?&#8221; &#8220;In a way, the Davis\/Murray\/Almomar trio are like the quartet who backed Rod Stewart on his [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-3004","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-drafts-unpublished","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/3004","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/comments?post=3004"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/3004\/revisions"}],"predecessor-version":[{"id":3045,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/3004\/revisions\/3045"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media?parent=3004"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/categories?post=3004"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/tags?post=3004"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}