{"id":2874,"date":"2015-07-31T18:45:10","date_gmt":"2015-07-31T22:45:10","guid":{"rendered":"http:\/\/www.artsjournal.com\/riley\/?p=2874"},"modified":"2015-08-30T11:30:09","modified_gmt":"2015-08-30T15:30:09","slug":"linksgoflapping","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/riley\/2015\/07\/linksgoflapping\/","title":{"rendered":"Links Go Flapping: August Shower Tunnels"},"content":{"rendered":"

\"\"<\/a><\/p>\n

\n

Season 7<\/a>
\nCommunity’s bravura 6th season\u00a0closer<\/a>:\u00a0\u201cIf I had no self-awareness, I think I\u2019d know,\u201d (Britta). Send\u00a0Yahoo kudos,\u00a0#andamovie<\/a>.<\/p>\n

Their Satanic Majesties
\n<\/span><\/a>Rolling Stones featured on Visualoop\u00a0<\/span><\/p>\n

Harper Lee’s Go Set a Watchman<\/em> Should Not Have Been Published<\/a><\/span>
\n by William Giraldi, TNR<\/span><\/p>\n

“In a conscious confusion of purity for quality, HarperCollins boasted that they were publishing Watchman<\/em> unedited\u2014as if they could have done anything else, short of rewriting it themselves: The author cannot see or hear… Harper Lee wrote To Kill a Mockingbird<\/em> in ‘the gigantic shadows which futurity casts upon the present,’ as Percy Shelley put it in a different context. And futurity, I\u2019m certain, will forgive Go Set a Watchman<\/em>. I\u2019m not at all certain that it will forgive those who conspired to sell it to us.”<\/span><\/p>\n

\n

The Cruel Truth About Rock’n’Roll<\/a><\/span>
\n by Ann Powers, NPR<\/span><\/p>\n

“Loving rock and roll requires engaging with a terrible reality, one that the music itself has not solved and sometimes helped its fans to forget. It’s this: The real erotic freedom many women, and young people in general, have experienced through rock and roll is always partial and precarious. As great as it feels for a girl to let the noise and rhythm surge through her body, that body still moves within a world where others wield all kinds of weapons to contain you…”<\/span><\/p>\n

UK Police Confirm Ongoing Criminal Probe of Snowden Leak Journalists<\/a>
\nby Ryan Gallagher, Intercept<\/p>\n

“Media lawyer Mark Stephens told The Intercept<\/em> he believes there is little realistic prospect of a prosecution being brought against any journalists \u2013 and said he thinks the authorities are more interested in creating a \u201cchilling effect\u201d to stifle reporting on secretive national security-related issues…” See also: Laura Poitras Files a FOIA<\/a><\/p>\n

35 Years of RDA Covers
\n<\/a><\/em>Grandiose totality<\/a>, plus curiously popular pinterest iphone board<\/a>
\n<\/span><\/p>\n

New and Noteworthy on Spotify<\/a>
\nILX thread, including a ongoing updates<\/a>, hacks<\/a>, clouds<\/a>, and links to internal bloggers<\/a><\/p>\n

OBITS:<\/strong><\/p>\n

Gunther Schuller<\/a><\/p>\n

Ornette Coleman<\/a><\/p>\n

Vic Firth<\/a><\/p>\n

Ingrid Sischy<\/a><\/p>\n

See rileyrockindex<\/a> for listening<\/a> habits, iphone screens<\/a>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Monthly links too good to share: <\/p>\n","protected":false},"author":3,"featured_media":2877,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[59,60],"class_list":{"0":"post-2874","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-main","8":"tag-links","9":"tag-obits","10":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/2874","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/comments?post=2874"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/2874\/revisions"}],"predecessor-version":[{"id":2882,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/2874\/revisions\/2882"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media\/2877"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media?parent=2874"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/categories?post=2874"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/tags?post=2874"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}