{"id":2860,"date":"2015-06-09T11:17:27","date_gmt":"2015-06-09T15:17:27","guid":{"rendered":"http:\/\/www.artsjournal.com\/riley\/?p=2860"},"modified":"2015-07-19T19:15:54","modified_gmt":"2015-07-19T23:15:54","slug":"what-makes-a-woman-nytimes-com","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/riley\/2015\/06\/what-makes-a-woman-nytimes-com\/","title":{"rendered":"What Makes a Woman? &#8211; NYTimes.com"},"content":{"rendered":"<blockquote><p>The \u201cI was born in the wrong body\u201d rhetoric favored by other trans people doesn\u2019t work any better and is just as offensive, reducing us to our collective breasts and vaginas. Imagine the reaction if a young white man suddenly declared that he was trapped in the wrong body and, after using chemicals to change his skin pigmentation and crocheting his hair into twists, expected to be embraced by the black community.<\/p><\/blockquote>\n<p>Source: <em><a href=\"http:\/\/www.nytimes.com\/2015\/06\/07\/opinion\/sunday\/what-makes-a-woman.html\">What Makes a Woman? &#8211; NYTimes.com<\/a><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The \u201cI was born in the wrong body\u201d rhetoric favored by other trans people doesn\u2019t work any better and is just as offensive, reducing us to our collective breasts and vaginas. Imagine the reaction if a young white man suddenly declared that he was trapped in the wrong body and, after using chemicals to change [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":2864,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-2860","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-main","8":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/2860","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/comments?post=2860"}],"version-history":[{"count":2,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/2860\/revisions"}],"predecessor-version":[{"id":2863,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/2860\/revisions\/2863"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media\/2864"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media?parent=2860"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/categories?post=2860"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/tags?post=2860"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}