{"id":1828,"date":"2012-11-05T09:30:32","date_gmt":"2012-11-05T14:30:32","guid":{"rendered":"http:\/\/www.artsjournal.com\/riley\/?p=1828"},"modified":"2012-11-03T21:35:02","modified_gmt":"2012-11-04T01:35:02","slug":"odenkirk-goes-shopping-amoeba-music-hollywood","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/riley\/2012\/11\/odenkirk-goes-shopping-amoeba-music-hollywood\/","title":{"rendered":"ODENKIRK&#8217;S AMOEBA HAUL"},"content":{"rendered":"<p>Visited this Hollywood\u00a0Amoeba in September, picked up the new Kelly Hogan album, a <strong>Plastic Ono Band Live Peace in Toronto<\/strong> wrapped with original calendar, and a blu-ray edition of <strong>Where the Wild Things Are<\/strong>. Odenkirk has good taste, &#8216;cept for perhaps the Shins, who wear a bit thin to me.<br \/>\n<object id=\"amoeba_player1\" width=\"480\" height=\"270\" classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=6,0,40,0\"><param name=\"flashvars\" value=\"file=http:\/\/videos.amoeba.com\/videos\/WIMB_Bob_Odenkirk.mp4\" \/><param name=\"allowfullscreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><param name=\"src\" value=\"http:\/\/www.amoeba.com\/js\/mediaplayer\/player.swf\" \/><embed id=\"amoeba_player1\" width=\"480\" height=\"270\" type=\"application\/x-shockwave-flash\" src=\"http:\/\/www.amoeba.com\/js\/mediaplayer\/player.swf\" flashvars=\"file=http:\/\/videos.amoeba.com\/videos\/WIMB_Bob_Odenkirk.mp4\" allowfullscreen=\"true\" allowscriptaccess=\"always\" \/><\/object><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Visited this Hollywood\u00a0Amoeba in September, picked up the new Kelly Hogan album, a Plastic Ono Band Live Peace in Toronto wrapped with original calendar, and a blu-ray edition of Where the Wild Things Are. Odenkirk has good taste, &#8216;cept for perhaps the Shins, who wear a bit thin to me.<\/p>\n","protected":false},"author":3,"featured_media":1832,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1828","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-main","8":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/1828","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/comments?post=1828"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/posts\/1828\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media\/1832"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/media?parent=1828"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/categories?post=1828"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/riley\/wp-json\/wp\/v2\/tags?post=1828"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}