{"id":996,"date":"2007-07-11T01:04:00","date_gmt":"2007-07-11T08:04:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=996"},"modified":"2007-07-11T01:04:00","modified_gmt":"2007-07-11T08:04:00","slug":"other_matters_more_women","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2007\/07\/other_matters_more_women\/","title":{"rendered":"Other Matters: More Women"},"content":{"rendered":"<p>If you enjoyed the video montage of <a href=\"http:\/\/www.artsjournal.com\/rifftides\/archives\/2007\/06\/other_matters_5.html\"target=\"_blank\">women in painting<\/a> a few weeks ago, <a href=\"http:\/\/www.youtube.com:80\/watch?v=vEc4YWICeXk\"target=\"_blank\">click here<\/a> for act two; women in film. The cello accompanist is the same. I wonder who it is.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>If you enjoyed the video montage of women in painting a few weeks ago, click here for act two; women in film. The cello accompanist is the same. I wonder who it is.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-996","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/996","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=996"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/996\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=996"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=996"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=996"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}