{"id":983,"date":"2007-06-26T01:04:00","date_gmt":"2007-06-26T08:04:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=983"},"modified":"2007-06-26T01:04:00","modified_gmt":"2007-06-26T08:04:00","slug":"art_farmer","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2007\/06\/art_farmer\/","title":{"rendered":"Art Farmer!"},"content":{"rendered":"<p>Generally, I&#8217;m against exclamation points. The one in the headline is a justified exception.<br \/>\nIf you miss Art Farmer as much as I do, <a href=\"http:\/\/youtube.com\/watch?v=pQDtp7W9mzc&#038;mode=related&#038;search\"target=\"_blank\">follow this link<\/a>. The <em>YouTube <\/em>information line tells you that the rhythm section is Ray Brown, Jacky Terrason and Alvin Queen. It doesn&#8217;t tell you that the tune is Charlie Parker&#8217;s &#8220;Moose the Mooche,&#8221; that Art, late in his life, was playing with enormous beauty and power, or that Ray Brown was the boss of the bass. If the shape-shifting video bothers you, close your eyes. This is a gem.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Generally, I&#8217;m against exclamation points. The one in the headline is a justified exception. If you miss Art Farmer as much as I do, follow this link. The YouTube information line tells you that the rhythm section is Ray Brown, Jacky Terrason and Alvin Queen. It doesn&#8217;t tell you that the tune is Charlie Parker&#8217;s [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-983","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/983","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=983"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/983\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=983"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=983"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=983"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}