{"id":981,"date":"2007-06-16T01:05:00","date_gmt":"2007-06-16T08:05:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=981"},"modified":"2007-06-16T01:05:00","modified_gmt":"2007-06-16T08:05:00","slug":"weekend_extra_scott_hamilton_a","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2007\/06\/weekend_extra_scott_hamilton_a\/","title":{"rendered":"Weekend Extra: Scott Hamilton And Wayne Shorter"},"content":{"rendered":"<p>Alerting the <em>Rifftides<\/em> staff to this combination, Bill Kirchner wrote, &#8220;Yes, you read that right.&#8221;  There may have been less likely tenor saxophone encounters, but I doubt if they were captured on camera. The third tenor player&#8211;the one we see but don&#8217;t hear&#8211;is Lew Tabackin.<br \/>\nThe house of the good old blues in F has many mansions. <a href=\"http:\/\/www.youtube.com\/watch?v=1cYH4WnP5EQ\"target=\"_blank\">Here&#8217;s proof. <\/a><em>YouTube<\/em> doesn&#8217;t disclose the year, but from the youthful appearance of the principals, I&#8217;d guess this was a good two decades ago.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Alerting the Rifftides staff to this combination, Bill Kirchner wrote, &#8220;Yes, you read that right.&#8221; There may have been less likely tenor saxophone encounters, but I doubt if they were captured on camera. The third tenor player&#8211;the one we see but don&#8217;t hear&#8211;is Lew Tabackin. The house of the good old blues in F has [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-981","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/981","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=981"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/981\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=981"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=981"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=981"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}