{"id":972,"date":"2007-06-07T01:05:00","date_gmt":"2007-06-07T08:05:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=972"},"modified":"2007-06-07T01:05:00","modified_gmt":"2007-06-07T08:05:00","slug":"other_matters_500_years_of_wom","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2007\/06\/other_matters_500_years_of_wom\/","title":{"rendered":"Other Matters: 500 Years Of Women In Art"},"content":{"rendered":"<p><em>Rifftides<\/em> correspondent John Birchard sent a link to this <a href=\"http:\/\/www.youtube.com:80\/watch?v=nUDIoN-_Hxs&#038;NR=1\"target=\"_blank\">remarkable video<\/a> with the comment, &#8220;It ain&#8217;t jazz, but it is certainly extraordinary work.&#8221;<br \/>\nAmen. The playing by an unidentified cellist is extraordinary, too.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Rifftides correspondent John Birchard sent a link to this remarkable video with the comment, &#8220;It ain&#8217;t jazz, but it is certainly extraordinary work.&#8221; Amen. The playing by an unidentified cellist is extraordinary, too.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-972","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/972","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=972"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/972\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=972"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=972"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=972"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}