{"id":969,"date":"2007-06-11T01:05:00","date_gmt":"2007-06-11T08:05:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=969"},"modified":"2007-06-11T01:05:00","modified_gmt":"2007-06-11T08:05:00","slug":"mulligan_sextet_seen_and_heard","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2007\/06\/mulligan_sextet_seen_and_heard\/","title":{"rendered":"Mulligan Sextet, Seen And Heard"},"content":{"rendered":"

As noted in this Rifftides <\/em>post<\/a> last November, Gerry Mulligan remarked more than once that of all his achievements, the sextet he led from 1955 to 1958 gave him the greatest satisfaction. No wonder. His sidemen in the front line were tenor saxophonist Zoot Sims, valve trombonist Bob Brookmeyer and trumpeter Jon Eardley. The rhythm section was Bill Crow on bass and Dave Bailey on drums.
\nIf it was generally known that film existed of the sextet, the fact eluded me until about a week ago. As if from out of nowhere, three videos of the Mulligan Sextet popped up on YouTube.<\/em> They were filmed in Rome in 1956. We see the sextet in front of a sizeable orchestra complete with strings. The orchestra is not identified and does not play; its members are an appreciative audience.
\nIn most appearances, on at least one tune Mulligan played piano in his engagingly rustic style, as he does here in “Ontet.” Click on the following links to see and hear living documents of a remarkable band:
\nBernie’s Tune<\/a>
\nOntet <\/a>
\nWalkin’ Shoes<\/a>
\nAfter being too long out of circulation, all of the audio recordings of the Mulligan sextet are available in a boxed CD set. To find it, go here<\/a>. The set is also available here<\/a>. It is called The Fabulous Gerry Mulligan Sextet<\/em>. The hyperbole is justified.<\/p>\n","protected":false},"excerpt":{"rendered":"

As noted in this Rifftides post last November, Gerry Mulligan remarked more than once that of all his achievements, the sextet he led from 1955 to 1958 gave him the greatest satisfaction. No wonder. His sidemen in the front line were tenor saxophonist Zoot Sims, valve trombonist Bob Brookmeyer and trumpeter Jon Eardley. The rhythm […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-969","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/969","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=969"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/969\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=969"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=969"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=969"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}