{"id":968,"date":"2007-06-18T01:03:00","date_gmt":"2007-06-18T08:03:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=968"},"modified":"2007-06-18T01:03:00","modified_gmt":"2007-06-18T08:03:00","slug":"dvd_kristin_korb","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2007\/06\/dvd_kristin_korb\/","title":{"rendered":"DVD: Kristin Korb"},"content":{"rendered":"<p>Kristin Korb, <a href=\"http:\/\/www.amazon.com\/gp\/redirect.html?ie=UTF8&#038;location=http%3A%2F%2Fwww.amazon.com%2FKristin-Korb-Live-Vienna%2Fdp%2FB000OYASZE&#038;tag=rifftidougram-20&#038;linkCode=ur2&#038;camp=1789&#038;creative=9325\"target=\"_blank\"><em>Live in Vienna <\/em><\/a>(Quantum Leap). Jay Leonhart wrote a song called &#8220;It&#8217;s Impossible to Sing and Play the Bass.&#8221; Kristin Korb didn&#8217;t get the message. This video disc recorded at Vienna&#8217;s Porgy and Bess  presents Korb in a trio with club regulars pianist Fritz Pauer and drummer John Hollenbeck. The promotional blurb evoking Ray Brown, Charles Mingus, Sarah Vaughan and Ella Fitzgerald places a heavy load on her, but Korb justifies the hyperbole with musicianship and leadership. Her singing, bass playing and rapport with her sidemen and the audience are first rate. Highlights: Neil Hefti&#8217;s &#8220;Whirly Bird&#8221; at approximately the speed of light and fine soloing by everyone on &#8220;Cheek to Cheek.&#8221;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Kristin Korb, Live in Vienna (Quantum Leap). Jay Leonhart wrote a song called &#8220;It&#8217;s Impossible to Sing and Play the Bass.&#8221; Kristin Korb didn&#8217;t get the message. This video disc recorded at Vienna&#8217;s Porgy and Bess presents Korb in a trio with club regulars pianist Fritz Pauer and drummer John Hollenbeck. The promotional blurb evoking [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[5],"tags":[],"class_list":{"0":"post-968","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-recommendations","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/968","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=968"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/968\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=968"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=968"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=968"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}